Chicago, IL – For 35 years, Chicago Sinfonietta has dedicated itself to changing the face of classical music, and for the last fifteen, the Freeman Fellowship program (formerly Project Inclusion) has been a large part of making that change possible. The nationally recognized groundbreaking program, an integral part of the organization’s mission, and the largest program of its kind, merges talent and mentorship in intense, in-depth fellowships dedicated to developing emerging musicians, conductors, composers, and administrators. Covering ground both on and off-stage, the newly renamed Freeman Fellowship is a multifaceted professional development program that continues to help to eliminate institutional bias due to factors such as ethnicity, race, and socioeconomic status. Having since broadened to tackle matters of diversity and inclusion from every angle, the Freeman Fellowship Program offers four fellowships: the Orchestral Freeman Fellowship, the Conducting Freeman Fellowship, the Composition Freeman Fellowship, and the Administrative Freeman Fellowship.
The launch of the new portal, a website dedicated specifically to the Freeman Fellowship program, will allow for streamlined access to the program curriculum and for more in-depth communication both within and beyond the program. The portal will be a repository of information, details on current and past fellows, and allow visitors to see the reach of the program throughout the industry, encouraging younger musicians to strive for the careers they envision.
The rebranding of the program is in keeping with the organization’s continuous connecting of its past and its future, both in honor of its founder and as a nod to the long history of work that has made the organization a leader in the field of diversity, equity, and inclusion nationwide.
Stated Kamila Muhammad, Director of Education & Community Engagement, “I’m ecstatic to see an online hub for Freeman Fellows past and present to gather online. My hope is that the Freeman Fellows portal will enable community building within our organization and beyond, reaching prospective Fellows and industry leaders. I’m truly excited for Chicago Sinfonietta to take this leap and look forward to what is to come.”
Since its launch in 2008 under the late Sinfonietta founder Maestro Paul Freeman, Chicago Sinfonietta has mentored over 80 diverse early career musicians and conductors. Approximately 95% of graduates from The Sinfonietta’s Freeman Conducting Fellowship alone have worked within the industry.
Praise for the program by Fellows includes:
“Being in the Chicago Sinfonietta family these past few years has been one of the best choices I have ever made as a musician. The tools that I have been equipped with thus far, have tremendously helped to bridge the gap between school and the professional industry. To have direct access to this level of artistry is PRICELESS. Best of all, this is one of the most supportive organizations that I have been a part of. Chicago Sinfonietta is in a lane all by itself and I’m honored to be one of its chosen few.” – Glenn Alexander II, Conducting Freeman Fellow
“I cannot say enough just how much the mentorship from Mei-Ann Chen, Blake-Anthony and everyone at the Chicago Sinfonietta prepared me for my professional conducting career. My current work with the Fort Worth Symphony would not have been possible without the life-changing growth throughout the Freeman Fellowship. You get to be right in the heart of the organization, collaborating with and learning from the wonderful musicians and staff, who all believe in you. I can’t begin to express how empowering and unique that is in this field.
“I’m forever grateful to Mei-Ann who prepares us in every possible way for the professional conducting career. She is an incredibly generous mentor, not only guiding us with her insights but inviting us to be involved in the action, bringing ideas into reality. The classical music world is a better place thanks to the Chicago Sinfonietta, and I hope to always continue their work and share this spirit everywhere I go.” – Taichi Fukumura, Conducting Freeman Fellow
“I had the great privilege of performing as a soloist with the orchestra in 2012, and I’ve admired the ensemble and Maestra Chen ever since. To get to develop my conducting with her ten years later is a huge honor. This fellowship is making a vital impact on the diversity of artists in our field and I’m thankful to be a part of it.” – Cleo Goldberg, Auditing Conducting Freeman Fellow
“The Chicago Sinfonietta Orchestral Freeman Fellowship is certainly a big opportunity for anybody who wants to make a career as a professional musician in Chicago. For me, this has been an incredible experience because I have had the chance of playing in incredible venues such as the Wentz Concert Hall in Naperville and the symphony center in Chicago Downtown. Besides that, while working with the great musicians of the orchestra, I have learnt a ton about orchestra playing, traditional and contemporary music. I am really grateful at this fellowship program and Chicago Sinfonietta for opening their doors to me and helping me improve my skills as an artist.” -Diego Diaz, Orchestral Freeman Fellow
“Being part of the Project Inclusion family as the first Composing Fellow has been instrumental to my growth as an artist. The community of rising talent it has fostered, focused on artistic wellness and curating a more equitable classical music field, has led to lifelong friends, collaborative opportunities, and a greater hope for my artistic future, not to mention our industry’s future. Hearing my commissioned piece, ‘Moshe’s Dream’, played by Chicago Sinfonietta at Symphony Center was the highlight of my career thus far and a moment I will treasure forever.” – Michelle Isaac, Auditing Composition Freeman Fellow
Amongst past Fellows’ recent accomplishments in the field are:
has been named Fort Worth Symphony Orchestra’s Assistant Conductor for the 2022- 2024 seasons; Michelle DiRusso
has been signed to Concert Artists Guild (CAG) as one of the first conductors signed to its roster. She was named Assistant Conductor of the North Carolina Symphon
y; Alejandro Gomez Guillen
has been appointed Assistant conductor for Omaha Symphony; Glenn Alexander II
made his Carnegie Hall debut conducting Academy Award winning composer Jon Batiste’s premiere of “American Symphony” in September; Kalena Bovella
is a 2022-24 Taki Alsop Conducting Fellow and made her Switzerland conducting debut with Musikkollegium Winterthur this September; Antoine Clark
served as Cincinnati Symphony’s 2022 MAC Music Innovator and was named Assistant Conductor for the Wheeling Symphony Orchestra beginning fall 2021; Kyle Dickson
is a recipient of Grant Park Music Festival’s 2021 Advocate for the Arts Award, and was chosen as a 2021-2022 Salonen Fellow in the Conservatory of Music’s Negaunee Conducting Program at Los Angeles, California’s Colburn School; Roger Kalia
was selected to the music directorships of Symphony NH, Evansville Philharmonic and Orchestra Santa Monica; violinist Allison Lovera
is first violin of Milwaukee Symphony Orchestra; violist Seth Pae
is Assistant Principal Violist for Chicago Sinfonietta; violinist Chauntee Ross
releases an album this season as part of the duo SistaStrings and toured with Brandi Carlile this past spring/summer 2022; composer Michelle Isaac
has been awarded a 2022 Individual Arts Grant from Chicago’s Department of Culture Affairs and Special Events for a virtual song cycle, Are Women People?, to be premiered online fall 2022, and a 2022 Gerts and Hammond Award in Composition from the Musician’s Club of Women; Ashley Lugo
is a grant writer at Giant Squid Group, LLC.
2022-23 Orchestral Freeman Fellows