|Brooklyn Center for the Performing Arts at Brooklyn College continues its 60thAnniversary Season on Saturday, November 22, 2014 at 2pm with Black Violin. Three-time winners of Amateur Night at the Apollo, this classically trained violin duo inspires young people to get fired up about classical music with their unique fusion of classical, hip-hop, jazz, blues, and R&B. Recommended for ages eight and up. Tickets are $15 and can be purchased at BrooklynCenter.org or by calling the box office at 718-951-4500 (Tues-Sat, 1pm-6pm).
It’s hard to think of another African-American violin player to make their mark in popular music, so classically trained South Florida twosome, Wilner “Wil B” Baptiste and Kevin “Kev Marcus” Sylvester, who go by the name Black Violin are a welcome revelation for their ability to meld high-brow and pop culture, ” Brandenburg” and “break-down,” into a single genre-busting act. The band’s most recent album, Classically Trained, is the follow-up to their 2007 self-titled debut on their own Di-Versatile Music Group label, which is as good an introduction to their groundbreaking blend of classical, hip-hop, rock, R&B, and even bluegrass music. Live, they are often accompanied by their crack band, featuring ace turntable whiz DJTK (Dwayne Dayal), drummer Beat-down (Jermaine McQueen) and cellist Joe Cello (Joseph Valbrun).
Wil B and Kev Marcus are classically trained viola and violin players who first met playing in the high school orchestra in Fort Lauderdale, Fl. After graduating college, they joined up as hip-hop studio rats in the South Florida, working with several different acts be-fore returning to their roots by fusing the two genres in a ground-breaking collaboration that has seen them play their music for everybody from the troops in Iraq to both the official President’s Inaugural Ball and the Kids Inaugural in Washington, DC, where Barack Obama himself gave each a hearty hand-shake and man hug, as First Lady Michelle Obama looked on approvingly. The pair also head-lined 40 shows in two stints at the New Victory Theater on Broadway, including 16 sold-out shows over two weeks last November. Along the way, they’ve wowed audiences at the legendary Harlem Apollo Theatre, accompanied Alicia Keys’ performance of “Karma” at the 2004 Billboard Awards, and appeared with Gym Class Heroes and Fall Out Boy’s Patrick Stump playing the hit song, “Stereo Hearts,” for VH1’s Unplugged.
Since starting Black Violin a decade ago-named after an album, by pre-eminent African-American swing era jazz violinist Stuff Smith-Wil B and Kev have performed an average of 200 shows a year in 49 states and 36 countries as far away as Dubai, Prague and South Africa, while appearing at official NFL celebrations for three Super Bowls and last year’s U.S. Open in Forest Hills with Jordin Sparks. The pair has played with the likes of Linkin Park member Mike Shinoda’s Fort Minor, while opening for Fat Joe, Akon and the Wu-Tang Clan. Individually and together, Black Violin has collaborated with the likes of P. Diddy, Kanye West, 50 Cent, Tom Petty, Aerosmith, Aretha Franklin and The Eagles. Kev supplied strings for a track on Lupe Fiasco’s Grammy-nominated Food & Liquor 2 album, and appeared on the Meek Mill cut “Maybach Curtains” with John Legend, Rick Ross and Nas. Wil and Kev also scored an episode of CSI: New York, adapting the finale of Puccini’s Madame Butterfly for an on-screen murder.
With Wil B’s smooth vocals, Black Violin has begun to explore R&B and soul on songs like the dreamy “End of the World” and the plaintive ballad, “Interlude (Tiffany).” The result is inspiring to all ages, though Black Violin remains particularly committed to turning young fans on to their own potential through a tireless schedule of appearances at schools, where they constantly stress the importance of arts education. Their “triumph” is the outcome of a decade-long effort that has seen them bridge the gap between the worlds of classical and popular music.
“We’re passionate about it because we realize how fortunate we were to grow up having access to that,” explains Wil B. “It’s something in which we take a great deal of pride. We encourage kids to think creatively, to take what they love doing and try to come up with some-thing no one has ever done before. And that dosen’t just apply to playing violin or even music, but whatever it is you decide to do. Expand your mind. Once we get their attention with the music, that’s the message we want to deliver.”
Brooklyn Center for the Performing Arts’ presentation of Black Violin is made possible through the ArtsCONNECT program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts.
Multibuy discounts (four or more shows) save 15% off individual ticket prices (not applicable for Hot Peas ‘N Butter, The Snow Maiden, or Target Storybook Series shows). 50% discount for children ages 12 and under for select performances. Discounts also available for seniors, students, Brooklyn College faculty/staff/alumni, and groups. $10 student rush tickets available day-of-show.
Brooklyn Center for the Performing Arts
Walt Whitman Theatre at Brooklyn College
2/5 trains to Brooklyn College/Flatbush Avenue
Online orders: BrooklynCenter.org
Box Office: 718-951-4500, Tuesday-Saturday, 1pm-6pm
Groups of 15 or more: 718-951-4600 x3331
About Brooklyn Center for the Performing Arts
Founded in 1954, Brooklyn Center for the PerformingArts at Brooklyn College presents outstanding performing arts and arts education programs, reflective of Brooklyn’s diverse communities, at affordable prices. Each season, Brooklyn Center welcomes over 65,000 people to the 2,400 seat Walt Whitman Theatre, including up to 45,000 schoolchildren from over 300 schools who attend their SchoolTime series, one of the largest arts-in-education programs in the borough.
In 2014-15, Brooklyn Center celebrates its 60th Anniversary Season of presenting world-class performances on the Brooklyn College campus.
Brooklyn Center for the Performing Arts’ programs are supported, in part, by public funding from the New York City Department of Cultural Affairs in partnership with the City Council. Major support for the 2014-15 season is provided by: Brooklyn College, Target, Con Edison, TD Bank, National Grid, the Macy’s Foundation, the Herman Goldman Foundation, The Harkness Foundation for Dance, the Jazz Touring Network, the Alice Lawrence Foundation, the Pierre and Tana Matisse Foundation, the Mertz Gilmore Foundation, the Mid Atlantic Arts Foundation, the Henry and Lucy Moses Fund, Inc., and the TD Charitable Foundation. Additional support provided by CNG Publications, The Brooklyn Eagle, WFUV, and WBGO Jazz 88.3 FM.
The Fairfield Inn & Suites by Marriott New York Brooklyn is the official hotel of Brooklyn Center’s 60th Anniversary Season. Backstage catering is graciously provided by Applebee’s.
Brooklyn Center for the Performing Arts gratefully acknowledges generous support from New York State Assemblymembers Rhoda Jacobs, Alan Maisel, Félix Ortiz, Annette Robinson, and Helene Weinstein, New York City Council Speaker Melissa Mark-Viverito, and Commissioner of Cultural Affairs Tom Finkelpearl.