|Exhibition Dates: September 30, 2014–April 19, 2015
Exhibition Location: The Erving and Joyce Wolf Gallery, The American Wing,
Press Preview: Monday, September 29, 10 a.m.–noon
The exhibition Thomas Hart Benton’s America Today Mural Rediscovered celebrates the gift of Thomas Hart Benton’s epic mural America Today from AXA Equitable Life Insurance Company to The Metropolitan Museum of Art in December 2012. Missouri native Thomas Hart Benton (1889–1975) painted the 10-panel mural cycle in 1930–31 for New York’s New School for Social Research to adorn the boardroom of its International Style modernist building on West 12th Street. It was commissioned by the New School’s director, Alvin Johnson, who had fashioned the school as a center for progressive thought and education in Greenwich Village. Depicting a sweeping panorama of American life during the 1920s, America Today ranks among Benton’s most renowned works and as one of the most significant accomplishments in American art of the period.
“This exhibition is the culmination of an extraordinary partnership between the Metropolitan and AXA, which donated the mural to the Museum and also serves as the exhibition’s sponsor. For this, we are tremendously grateful,” stated Thomas P. Campbell, Director and CEO of the Metropolitan Museum. “The Metropolitan’s presentation of Benton’s great mural will shed new light on this visually and intellectually stimulating landmark in American art of the early 1930s, especially as the Museum will display the mural as the artist originally intended it to be seen. Positioning the mural’s new home in the context of the Metropolitan’s diverse collections, the exhibition also tells a unique story rooted in New York’s own cultural history.”
“The Department of Modern and Contemporary Art is thrilled to debut AXA’s great gift of Benton’s remarkable America Today mural in the American Wing, where the artist’s expansive vision of life in the United States will resonate deeply with John Vanderlyn’s grand panorama, 19th-century genre painting, and Thomas Cole’s philosophical landscapes, among other treasures,” said Sheena Wagstaff, the Museum’s Leonard A. Lauder Chairman of Modern and Contemporary Art. “The exhibition will also remind visitors that the key themes of Benton’s mural—the heroic proletariat and modern industry—were greatly significant for artists in a contemporary international context, not only in the United States, but also in Mexico, and in France between the world wars.”
The exhibition is made possible by AXA.
America Today was Benton’s first major mural commission and the most ambitious he ever executed in New York City. The exhibition will demonstrate how the work not only marked a turning point in Benton’s career as a painter—elevating his stature among his peers and critics—but in hindsight stands out even more as a singular achievement of American art of the period, one that, among other effects, served to legitimize modern mural painting as part of the Works Progress Administration’s Federal Arts Project in the 1930s. Stylistically bold, America Today stands midway between the artist’s early experiments in abstraction, signs of which are still evident in the mural, and the expressive figurative style for which he is best known today. Thematically, the mural evokes the ebullient belief in American progress that was characteristic of the 1920s, even as it acknowledges the onset of economic distress that would characterize life in the following decade. The commissioning of America Today also marked an important episode in international modernism; the great Mexican muralist José Clemente Orozco was commissioned to paint a mural in the New School at the same time, and the two
On view starting September 30 in the Museum’s Erving and Joyce Wolf Gallery in the American Wing, the exhibition will be organized into three sections: the first will feature a large selection of Benton’s studies for the mural; the second will present the mural installed in a facsimile of its original space at the New School; and the third will feature related works by other artists, all from the Museum’s collection.
America Today Rediscovered
The 10 panels—most of which loom to a height of seven-and-a-half feet—depict a panoramic sweep of rural and urban life on the eve of the Great Depression. They capture the tension of early modern America, with allusions to race relations and social values, while simultaneously celebrating the themes of industry, progress, and urban life. An array of pre-Depression types—flappers, farmers, steel workers, stock market tycoons, and others representing a cross section of American life—will surround visitors in the mural space and can be further explored in the adjacent galleries, which will present many of the studies Benton made during his travels around the United States in the 1920s and to which he referred for the mural project.
The Mural Studies
From the New School to the Metropolitan
America Today was acquired by AXA (then Equitable Life) in 1984, in support of efforts on the part of then-Mayor Edward I. Koch and others to keep it intact and in New York City. Two years later, after extensive cleaning and restoration, America Today was unveiled to critical acclaim in AXA’s new headquarters at 787 Seventh Avenue. When the company moved its corporate headquarters again in 1996, to 1290 Avenue of the Americas, America Today was put on display in the lobby. There it remained until January 2012, when the company was asked to remove it to make way for a renovation. The removal triggered AXA’s decision to place the historic work in a museum collection, and in December 2012, AXA donated the mural to the Metropolitan Museum. This transformative gift was facilitated by H. Barbara Weinberg, Curator Emerita, The American Wing, and Pari Stave, Senior Administrator in the Museum’s Department of Modern and Contemporary Art.
More information about the 2012 gift can be found in the Press Room on the Museum’s website.
The publication is made possible by the William Cullen Bryant Fellows.
The Metropolitan’s quarterly Bulletin program is supported in part by the Lila Acheson Wallace Fund for The Metropolitan Museum of Art, established by the cofounder of Reader’s Digest.
The exhibition will be featured on the Museum’s website at www.metmuseum.org.
July 28, 2014
Image Caption: Thomas Hart Benton (American, 1889-1975) City Activities with Dancehall from America Today, 1930–31. Mural cycle consisting of ten panels. Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior. The Metropolitan Museum of Art, Gift of AXA Equitable, 2012