Spoleto Festival USA announces 2014 Opera Casts

           CHARLESTON, SC (April 21, 2014)—Spoleto Festival USA General Director Nigel Redden today announced the casts for the three new opera productions that will be presented as part of the 38th annual Festival being held May 23 through June 8 in Charleston, South Carolina.  

           American soprano Betsy Horne will make her Festival and US professional debut in the title role of Janáček’s Kát’a Kabanová. Horne made her role debut as the ill-fated Kát’a in 2012 for the Landestheater Coburg in Bavaria where she is engaged as a resident singer. These performances garnered Horne the prestigious Bayerischer Kunstförderpreis, a prize presented by the Bavarian government.  

           “I am really excited that my US debut is at the Spoleto Festival USA and that it is with Kát’a as it was a very important role to me in 2012. I began my career in Europe and after debuting as the Marschallin (Der Rosenkavalier) at Stadttheater Klagenfurt and as Elsa (Lohengrin) at my home stage at the Landestheater Coburg, making my American debut is another significant milestone this season and I am thrilled it is with such a challenging and rewarding role and cannot wait to work with Garry Hynes and Anne Manson to tell Kát’a’s story.”

           American mezzo-soprano Jennifer Roderer makes her Festival debut as Kát’a’s venomous mother-in-law, Kabanicha, one of opera’s most cold-hearted villains. Festival regulars Jane Shaulis, Dennis Petersen and Jan Opalach and Festival newcomers Megan Marino and Alex Richardson and Rolando Sanz complete the cast.  

           Kát’a Kabanová will also see the operatic debut of Tony Award-winning Druid theater director Garry Hynes (The Cripple of Inishmaan, 2011 Spoleto Festival USA.) Although based on a play­—Ostrovsky’s The Storm—Hynes says Janáček’s score provides rich dramatic potential for telling Kát’a’s story: “It is extraordinary how Janáček managed to compress the story and fuse the music into it with such intensity and power. Kát’a is front and center of the opera in a way that she is not in (Ostrovsky’s) play. We’re inside her head rather than judging her from the broad perspective of society.”  

           Kát’a Kabanová will be conducted by Anne Manson, who conducted the Spoleto Festival Orchestra in 2012.  

           John Adams’s El Niño has been described as retelling of the nativity story with an unprecedented spotlight on the voices of women. Mezzo-soprano Erica Brookhyser,principal mezzo in the permanent company at Staatstheatre Darmstadt in Germany, and soprano Caitlin Lynch, who recently made her Metropolitan Opera debut as Cynthia in the American premiere of Nico Muhly’s Two Boys, will sing these central roles for the first time at the Festival. Caitlin Lynch performed the poignant role of Mrs. Gobineau in The Medium at the Spoleto Festival USA in 2011. This will be Brookhyser’s Festival debut.  

           Countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards performed their El Niño roles at the world premiere in Paris in 2000, the US premiere in San Francisco in 2001, and at a 2009 Carnegie Hall performance. Baritone Mark Walters completes the cast. All four will make their Festival debut with El Niño.

           Since the world premiere of Peter Sellars’s production in Paris in 2000, El Niño has mostly been performed as a concert presentation or with minimal staging. English director John La Bouchardière will make his Spoleto Festival USA debut with a full-scale staging.   

           With a libretto pulled from a variety of sources, El Niño does not follow a linear narrative; instead, singers often play several roles and characters are portrayed by different voices, frequently in Spanish. La Bouchardière has employed a striking visual device—to be revealed at the premiere on May 23—that draws on historic imagery to assist the 21st century storytelling. Joe Miller will conduct El Niño, christening his new role as the Festival’s director for choral activities. Miller fell in love with the work when he was invited to prepare the choral forces for the performance at Carnegie Hall in 2009, conducted by the composer.  

           The US premiere of Michael Nyman’s Facing Goya will be the third Festival appearance for soprano Anne-Carolyn Bird who performed in Philip Glass’s Kepler in 2012 and as Camille in Charpentier’s Louise in 2009.  She will sing the role of Soprano #1 with Aundi Marie Moore making her Festival debut as Soprano #2.  

           Suzanna Guzmán, who will sing the contralto role of Art Banker, has a special affinity with both Goya and Spoleto Festival USA: she first gained international attention in 1991 at the Festival of Two Worlds in Spoleto, Italy for her critically acclaimed portrayal of the Duchess of Alba in the European premiere of Gian Carlo Menotti’s Goya, the Festival founder’s own compositional take on the Spanish painter. Tenor Thomas Michael Allen and baritone Museop Kim complete the cast.  

           Facing Goya is a co-production with the Singapore International Festival of the Arts. Director Ong Keng Sen’s previous Spoleto Festival USA productions were the 2000 opera The Silver River composed by Bright Sheng and the theatrical production Geisha in 2006. The Festival’s Resident Conductor and Director of Orchestral Activities John Kennedy will lead the musicians. Facing Goya, which mixes sci-fi and art history with a little conspiracy theory, was premiered in Spain in 2000. The Festival will present an updated libretto by Victoria Hardie that incorporates recent advances in DNA technology, significant to the plot, which is centered in eugenics and cloning.  

           Chorus and supernumerary roles in all three operas will be performed by members of the Westminster Choir under the leadership of Joe Miller. The Spoleto Festival USA Orchestra is comprised of the best young musicians from around the country selected by audition by John Kennedy and performs all of the operas in addition to symphonic concerts and new music recitals during the Festival.    

Kát’a Kabanová

Performances: May 24, 29, 31, June 2, and 6 at the College of Charleston Sottile Theatre, 44 George Street  

KÁT’A: Betsy Horne
VARVARA: Megan Marino
DIKOI: Jan Opalach
TICHON: Dennis Petersen
VANYA: Alex Richardson
KABANICHA: Jennifer Roderer
BORIS: Rolando Sanz
FEKLUSHA: Jane Shaulis  

Betsy Horne made her acclaimed role debut as Kát’a in 2012 for the Landestheater Coburg, Bavaria where she is engaged as a resident singer. The same year she was awarded the prestigious Bayerischer Kunstförderpreis, a prize for promising young artists working in Bavaria. Originally from Imperial Valley in California, Ms. Wolfe relocated to Europe to study at the Hochschule in Mainz. She made her soprano debut at the end of a four-year engagement at Staatstheater Wiesbaden in 2009 as Agathe in Der Freischütz.  

American/Italian mezzo-soprano Megan Marino has been hailed by the Washington Times for her “considerable range and confidence,” Ms. Marino made her Metropolitan Opera debut this season as ‘a Voice of an Unborn Child’ in Strauss’s Die Frau ohne Schatten. She also performed in the Met’s 2013-14 productions of Rusalka, Werther, and Rigoletto.  

American bass-baritone Jan Opalach combines serious musicianship with excellent acting skills and has performed over 50 roles during his distinguished career during which he was a principal artist of the New York City Opera for 30 years. He is a member of the voice faculty of the Eastman School of Music.  

American tenor Dennis Petersen has spent more than three decades on opera stages throughout the world with regular performances at the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, New York City Opera, and with Seattle Opera in their Ring Cycle, most recently singing Mime in 2013.  

American tenor Alex Richardson’s recent roles have included Romeo in Gounod’s Roméo et Juliette (St. Petersburg Opera), Cavaradossi in Tosca (Winter Opera Saint Louis), the Steuermann in Wagner’s Der fliegende Holländer (Princeton Festival), Fenton in Otto Nicolai’s The Merry Wives of Windsor (Boston Midsummer Opera), and Tom Buchanan in John Harbison’s The Great Gatsby (Emmanuel Music), a role he reprised at the Tanglewood Festival.

Since her 1999 debut at New York City Opera, Jennifer Roderer has performed a diverse array of roles for that company, including the Witch in Hansel and Gretel which became a signature role that she has performed with Utah Opera, Opera Company of Philadelphia, Phoenix Symphony, Tulsa Opera and Opera Roanoke, among others.  

Rolando Sanz  has been praised by Opera News for his “warm, strong, highly promising tenor.” Debuts in his 2013-2014 season included the Duca di Mantua in Rigoletto with Seattle Opera, Arminio in I masnadieri with Washington Concert Opera, and Alfredo in La traviata with Florentine Opera and the Pacific Symphony.  

Jane Shaulis has been a staple of the Metropolitan Opera’s roster for 23 years appearing in 551 performances. Prior to joining the Met she performed with New York City Opera for 15 years, appearing in over 60 roles. She has also sung with the major opera companies in this country, including, San Francisco, Chicago, San Diego and has performed with many major orchestras, including Chicago, Philadelphia, and Pittsburgh.    

 

El Niño  

Performances: May 23, 26, and 30 at the Memminger Auditorium, 56 Beaufain Street  

MEZZO: Erica Brookhyser
SOPRANO: Caitlin Lynch
COUNTERTENOR: Daniel Bubeck
COUNTERTENOR: Brian Cummings
COUNTERTENOR: Steven Rickards
BARITONE: Mark Walters  

The 2013-14 season was Erica Brookhyser’s third as principal mezzo in the permanent company at Staatstheatre Darmstadt in Germany, a position she won following the end of her tenure in LA Opera’s Domingo-Thornton young artist program. In 2012 she won the role of Carmen as part of the German reality television show produced by the ARTE-TV channel called Who Will Become Carmen? Her performances in this role took place at the newly-established Berlin Seefestspiele in August 2012.  

Caitlin Lynch recently made her Metropolitan Opera debut in the American premiere of Nico Muhly’s Two Boys in the role of Cynthia. She previously created the role of Eliza in Muhly’s chamber opera, Dark Sisters which premiered at the Gotham Chamber Opera in New York with subsequent performances at the Opera Company of Philadelphia. This past May she sung the world premiere of Jake Heggie’s new song cycle, Another Sunrise. She has performed her signature role of Countesss Almaviva in Le nozze di Figaro with the Glimmerglass Opera, Lyric Opera Baltimore, Michigan Opera and Opera Lyra Ottawa.  

Ms. Brookhyser and Ms. Lynch will be joined by countertenors Daniel Bubeck, Brian Cummings, and Steven Rickards, who performed these roles in the world premiere of El Niño in Paris in 2000, the US premiere in San Francisco in 2001, and at Carnegie Hall in 2009. Baritone Mark Walters completes the cast.    

 

Facing Goya (US Premiere)  

Performances: May 25, 27, 31, June 4, and 7 at the Dock Street Theatre, 135 Church Street  

SOPRANO #1: Anne-Carolyn Bird
SOPRANO #2: Aundi Marie Moore
CONTRALTO (ART BANKER): Suzanna Guzmán 
TENOR: Thomas Michael Allen
BARITONE: Museop Kim  

Anne Carolyn-Bird most recently performed at the Spoleto Festival USA in 2012 in Philip Glass’s Kepler and previously sang at the festival in the role of Camille in Louise in 2009. She has been widely lauded for her signature role of Susanna in Le nozze di Figaro that she has performed for Virginia Opera, Opera Carolina, Nashville Opera, Opera Columbus, and Opera Grand Rapids.  

Career highlights for Aundi Marie Moore  to date have included her international debut as Donna Elvira in Don Giovanni with L’Opéra de Monte Carlo, Nedda in Pagliacci with Sarasota Opera, Serena in Porgy and Bess with Atlanta Opera and Virginia Opera, the role of Young African American Soprano in the world premiere of Ricky Ian Gordon’s Rappahannock County with Virginia Opera, and Odessa Clay in the world premiere of Approaching Ali with Washington National Opera.  

Suzanna Guzmán is an Associate Artist of the Los Angeles Music Center Opera and performs as a principal artist with many of the world’s finest companies including the Metropolitan Opera, Kennedy Center Opera, Washington Opera, Seattle Opera, the Grand Théâtre in Geneva, and at the Edinburgh Festival.  She is the host of KCET’s Open Call television program.  

American tenor Thomas Michael Allen has established a reputation for his exceptional vocalism and his vivid portrayals of a wide range of lyric tenor roles. His repertoire includes operas by Monteverdi and haute contre roles of the French baroque, as well as leading roles in the operas of Mozart and recent works by composers such as Hans Werner Henze and Philip Glass.  

Korean baritone Museop Kim recently concluded his second year of LA Opera’s Domingo-Thornton Young Artist Program where he sang Mercutio in Romeo et Juliette and Schaunard in La Boheme and understudied Guglielmo in Cosi fan tutte.    

Conversations with… Director Garry Hynes
Saturday, May 24, 3:30pm
Charleston Library Society, 164 King Street  

Conversations with… Director Ong Keng Sen & conductor John Kennedy
Sunday, May 25, 3:30pm
Charleston Library Society, 164 King Street  

An Evening with Michael Nyman
Monday, May 26, 8:00pm
College of Charleston Sotille Theatre, 44 George Street  

Intermezzi: Vocal Splendor
Vocal recital of art songs and arias by members of the opera casts.
Tuesday, June 3, 5:00pm
Grace Episcopal Church, 98 Wentworth Street  

# # #