Rene Lopez “Dance Until The End Of Time” (Secret Circuit Remix) Unleashed w/ Earmilk! Catch Him LIVE in NYC Tonight: 11/17: New York, NY @ The Slipper Room

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Rene Lopez

“Dance Until The End Of Time” (Secret Circuit Remix)
Unleashed w/ Earmilk!

Catch Him LIVE in NYC Tonight:

11/17: New York, NY @ The Slipper Room

Love Has No Mercy EP Out Now via Liberation Label

“Beautifully reminiscent of 1970s bossa nova and today’s nu disco reincarnation, the track is smooth, relaxing and has muted electric guitar and keyboard solos that are easy to get lost in.”
Earmilk

“If you were a fan of “Get Lucky” […], this one is for you…” Vibe

“…tailor-made for both impromptu house parties & late nights at the club.” Magnetic Magazine

“The dance-friendly track is an easy listen…” Baeblemusic


Photo credit: Dan Monick

NYC musician Rene Lopez recently released his new EP, Love Has No Mercy, via Liberation Label. Whilst his earlier records have flirted with every genre from Latin soul to rock & roll, the seven tracks on Love Has No Mercy are a decidedly more dance-friendly affair. The record incorporates the sanguine Latin influences of his previous albums & interjects them with healthy doses of disco & funk.

Rene previously shared the Love Has No Mercy title track (which features vocals from NYC powerhouse Carol C) & its accompanying video, as well as a banging remix via Thievery Corporation’s Rob Garza. He’s now unleashed another remix of EP cut “Dance Until The End Of Time” via acclaimed producer Secret Circuit. Check out the dancefloor-filling, Earmilk-premiered “Dance Until The End Of Time” (Secret Circuit Remix) where it’s available to post & share HERE!

Clocking in at just under 30 minutes, Love Has No Mercy is a remarkably slick statement of intent. Tracks like “Lovegod” & “City Streets are Dead Tonight” pulse with the same kind of subdued electro-funk that made early Prince & Rick James tracks so eternally irresistible. For Rene, the tracks represent a natural musical evolution- a move from the sweaty rock & Latin grooves of his previous albums to a place located firmly on the dancefloor.

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