Jody Sperling/Time Lapse Dance
20th Anniversary Season
Celebrating 20 Years in 20 Weeks
Launches May 14, 2020
| WEBSITE: www.timelapsedance.com/events/tldat20/ FACEBOOK PAGE: www.facebook.com/timelapsedance/ #TLDAT20 |
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Beginning on May 14, choreographer Jody Sperling and her company Time Lapse Dance (TLD) will launch a virtual celebration lasting 20 weeks, featuring a series of intense, intimate and interactive events, from livestream conversations with collaborators to online premieres, presentations, workshops, rehearsal visits and more. In addition to the events listed below, TLD will share themed content throughout each week on social media, so please follow the company on Facebook, Instagram and YouTube. #TLDAT20
For two decades, Time Lapse Dance has engaged audiences with ground-breaking choreography and visually-compelling productions inspired by climate change, as well as works expanding the legacy of early dance technologist Loie Fuller (1862-1928). Sperling has achieved international acclaim for her Fuller-style recreations which extend the body radically into space and into natural environs, such as the polar icescape.
“During this time of physical distancing, it’s more important than ever for people to stay actively connected with one another in virtual spaces,” said Jody Sperling, Choreographer/Artistic Director of Time Lapse Dance. “Dance is a unifying force, bringing together the moving body with imagination, curiosity, well-being, and larger communities. As we adjust to changing realities, we must each pivot to help envision and enact a future that is more just and sustainable for all. I believe dance has an important role to play in mobilizing this new future. Rather than a simple retrospective, #TLDat20 is our initiative aimed at reflecting on past and present, so as to move boldly into the uncertain territories ahead.”
Week 1: Wind and Breath: Climate Change Music and Dance
Thursday, May 14 at 7pm: YouTube Premiere of “Wind Rose,” followed at 7:30pm by livestream conversation between choreographer Jody Sperling and composer Matthew Burtner. Longtime collaborators, Burtner and Sperling are both acclaimed for their creative engagement with climate change. Their work “Wind Rose” visualizes local and global winds patterns that are changing dramatically along with the earth’s atmosphere. Wind is the breath of the planet, and though invisible, its swirling rhythms drive the forces of life. During the work creation, composer and choreographer discovered a new mode of collaboration that allowed for a synthesis of sound, movement, and airflow. Join the conversation to probe their process.
Friday, May 15 from 11-11:30am: “Breath and Breeze” movement workshop for families and people of all ages. Learn moves from “Wind Rose” and how to put them together to create a rhythmic breeze.
Week 2: Costuming: Sustainability and Transformation
Friday, May 22 from 5-6pm: Livestream conversation and DIY workshop with Jody Sperling and costume designer Lauren Gaston about sustainable costume design. The two will discuss their current collaborative process for a new work, “Plastic Harvest,” which uses single-use plastics as featured material. The conversation will cover issues of sustainability and how costuming can help performers experience an empathic relationship with the environment. The session will conclude with a short DIY at home sustainable design project.
Throughout the week TLD will share photos and videos of TLD’s amazing costumes by our outstanding roster of collaborators including Mary Jo Mecca, Gina Nagy Burns, Michelle Ferranti, and E. Shura Pollatsek.
Week 3: Our City Streets, Performance and Redesign
Friday, May 29 at 2pm: Livestream panel with Lisa Orman (Streetopia UWS), Sara Lind (Broadway Task Force/Community Board 7), Jody Sperling, and other guests on how performance can help re-vision street use and design. TLD has produced annual Spot for Dance festivals for Park(ING) Day where artists and activists transform curbside parking spaces into public places. These performance festivals have provided opportunity for community-building around the issue of curbside reform. Social distancing necessitated by the Covid-19 pandemic has revealed the urgent need for the city to rethink the streetscape in a way that prioritizes space for pedestrians over vehicles. Join us in this important conversation.
Biographies
Jody Sperling is dancer-choreographer from NYC and the Founder/Artistic Director of Time Lapse Dance. She has created 45+ works including many furthering the legacy of modern dance pioneer Loie Fuller (1862-1928). Considered the preeminent Fuller stylist, Sperling has expanded the genre into the 21st century, deploying it in the context of contemporary and environmental performance forms. She was nominated for a 2017 World Choreography Award for her work on the French feature film “The Dancer” (premiere 2016 Cannes Film Festival) inspired by Fuller’s life. Her work is also prominently featured in the forthcoming Fuller documentary “Obsessed with Light,” directed by Sabine Krayenbuehl and Zeva Oelbaum.
Years of working in Fuller’s idiom, which involves kinesphere-expanding costumes, has influenced Sperling’s awareness of the body’s relationship with the larger environment. In 2014, she participated in a polar science mission to the Arctic as the first, and to date only, choreographer-in-residence aboard a US Coast Guard icebreaker. During the expedition, she danced on Arctic sea ice and made the short dance film Ice Floe, winner of a Creative Climate Award. Following that experience, Sperling has developed programs transporting the icescape to the stage and incorporating climate outreach. Current projects focus on creating visual-kinetic narratives merging choreography and climate science.
Time Lapse Dance (TLD), is an all-women 501(c)3 dance company founded by Jody Sperling in 2000. The company’s mission is to forge dynamic connections between dance and movements in culture, history, science, the visual arts, and music. The work aims to investigate the relationship of the moving body to the world we inhabit through live performance, educational programs, and media production. TLD has two special priorities. First, cultivating climate literacy through the performance of new choreography (for stage, screen or street) that echoes the natural world, and the programming of outreach that merges concepts and communication strategies from scientific and artistic practices. Second, advancing the legacy of Loie Fuller by reimagining the art of performance technologist Loie Fuller (1862-1928) in an innovative and environmental context through the creation of new performance, media, research, and publications, that resonate with the 21st century public. Since inception, TLD has presented 16 seasons in Sperling’s native NYC and toured to performing arts centers nationally and internationally. Along with performances, TLD offers outreach on arts/climate, family programs, workshops, and masterclasses. TLD has received commissions from Marlboro College/Vermont Performance Lab, University of Wyoming/NEA American Masterpieces, and the Streb Lab for Action Mechanics.
Matthew Burtner (Composer) (www.matthewburtner.com) is an Alaskan-born composer and sound artist who creates music from materials and data of climate change, particularly related to the Arctic. Burtner spent his childhood in the far north of Alaska and this profoundly shaped his musical language. He is a pioneer in the field of eco-acoustics and has worked extensively with systems of climatology applied to music. His work has recently been featured by NASA, National Geographic, the US State Department, Earther, and the Ringling Museum. First Prize Winner of the Musica Nova International competition, and an NEA Art Works and IDEA Award winner, Burtner’s music has received honors and prizes from Bourges (France), Gaudeamus (Netherlands), Darmstadt (Germany) and The Russolo (Italy) international competitions. He teaches composition and computer music at the University of Virginia, and directs the environmental arts non-profit organization, EcoSono (www.ecosono.org).
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This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
