COPELAND BRINGS NOT A GENUINE BLACK MAN TO BERKELEY REP

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PRESS CONTACT

Voleine Amilcar, Director of Public Relations

(510) 647-2917, [email protected]

 

For more information click here for the show press kit

 

 

 

BRIAN COPELAND BRINGS 10th ANNIVERSARY PRESENTATION
OF NOT A GENUINE BLACK MAN TO BERKELEY REP

 

Runaway hit to be staged in the Theatre’s Osher Studio for a limited engagement

 

March 18, 2014 – Berkeley Repertory Theatre proudly welcomes comedian and radio talk-show host Brian Copeland for the 10th anniversary presentation of his critically acclaimed show, Not a Genuine Black Man. After over 700 performances in its initial seven-year run in more than 30 cities, the longest-running solo show in San Francisco history comes to Berkeley Rep this April for a limited engagement. In Not a Genuine Black Man, Copeland recounts his story of growing up black in the 1970s in San Leandro, California, a city once nationally known as one of the most racist in America. With wit and heartfelt passion, he explores the themes of racial identity and, ultimately, belonging.  “Very funny,” raves the San Francisco Chronicle. “Copeland is a winning, magnetic performer. More than that, he’s got an important tale to tell!” Directed and developed in part by David Ford, Not a Genuine Black Man previews on April 23, 2014opens April 25, 2014, and plays through May 31, 2014.

 

“Brian’s personal history offers fantastic fodder for an evening of theatre,” says Michael Leibert Artistic Director Tony Taccone. “His stories paint vivid characters that populate a diverse emotional landscape. Not a Genuine Black Man looks at race relations with an unflinching honesty, yet at the same time isn’t afraid to crack a joke. We’re glad Brian will celebrate the 10th anniversary of this show in our Osher Studio this spring.”

 

“I’m thrilled to be performing Not a Genuine Black Man at Berkeley Rep — a theatre I have long admired,” remarks Copeland. “I never imagined the show would be so well-received and have this incredible longevity. But I’ve come to realize the show’s mix of comedy and pathos makes people really think about who they are and who we are as a nation and a people. After all these years of performing the show, I feel that my portrayals of the characters have become sharper. I continue to find things in the play that can evoke a laugh or an emotional reaction that I hadn’t thought of before. I hope the audience leaves feeling that they have had a great evening of thought-provoking, entertaining theatre.”

 

Since its 2004 premiere at the Marsh, Not a Genuine Black Man has received effusive praise everywhere it has been performed. “A beautiful mix of wry humor and heartbreak, indignation and inspiration!” hails the San Francisco Chronicle.   “Copeland is a GENUINE discovery!” declares the Los Angeles Times. “A singular story of extreme isolation that speaks to anyone who’s ever felt out of place.”  “Engaging!” proclaims the New York Times. “Copeland’s ability to captivate an audience rivals many a celebrated solo predecessor from Ruth Draper to Spalding Gray to Whoopi Goldberg…”

 

Brian Copeland has been in show business since he first stepped on the comedy stage at the tender age of 18. Soon he was headlining clubs and concerts across the country and opening for such artists as Smokey Robinson, The Temptations, Ringo Starr, and the queen of soul Aretha Franklin, in venues from the Universal Amphitheater to Constitution Hall in Washington, DC. Soon, Copeland branched out into television, appearing on comedy programs on NBC, A&E, and MTV. He spent five years as co-host of San Francisco FOX affiliate KTVU’s breakfast program Mornings on 2 and two years hosting San Francisco ABC affiliate KGO’s Emmy Award-winning afternoon talk show 7Live. In 1995, ABC affiliate KGO Radio premiered The Brian Copeland Show. Its unique mix of talk and entertainment soon made it the most listened to program in its time slot. In 2004, Copeland premiered his first solo play, Not a Genuine Black Man, at the Marsh. This critically acclaimed exploration of race and identity created an audience-pleasing blend of laughter, tears, and sociology that led to the show becoming the longest-running solo play in San Francisco theatrical history. Successful runs in Los Angeles and off Broadway and a bestselling book adaptation followed. Copeland’s other theatrical work includes The Waiting Period, a solo play about his lifelong struggle with depression, and the Christmas play The Jewelry Box, which opened November 2013 at the Marsh.

 

Director David Ford is a Goldie Award-winning playwright who has worked on countless solo shows over his 25-year career in the business. Frequently working on projects at the Marsh, Ford has collaborated with many Bay Area favorites including Charlie Varon, Marilyn Pittman, Geoff Hoyle, and Cherry Terror.

 

Tickets start at only $30 – half that for anyone under 30 years of age. Additional savings are available for groups, seniors, and students – meaning discounted seats can be obtained for as little as $14.50. For tickets or information, call (510) 647-2949 or simply click berkeleyrep.org.

 

ABOUT BERKELEY REP

Berkeley Repertory Theatre has grown from a storefront stage to an international leader in innovative theatre. Known for its core values of imagination and excellence, as well as its educated and adventurous audience, the nonprofit has provided a welcoming home for emerging and established artists since 1968. In four decades, four million people have enjoyed more than 300 shows at Berkeley Rep. These shows have gone on to win five Tony Awards, seven Obie Awards, nine Drama Desk Awards, one Grammy Award, and many other honors. In recognition of its place on the national stage, Berkeley Rep received the Tony Award for Outstanding Regional Theatre in 1997. Its bustling facilities – which include the 400-seat Thrust Stage, the 600-seat Roda Theatre, the Berkeley Rep School of Theatre, the Osher Studio, and a spacious new campus in West Berkeley – are helping revitalize a renowned city.

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FACT SHEET

 

NOT A GENUINE BLACK MAN

 

 

  WHO:          Written and performed by Brian Copeland

                     Developed by Brian Copeland and David Ford 
Directed by David Ford

WHAT:          Berkeley Rep presents Brian Copeland in Not a Genuine Black Man. It’s the show that blew the lid off racism in San Leandro… and made us laugh about it, back for its 10th anniversary. “Very funny,” raved the Chronicle. “Copeland is a winning, magnetic performer. More than that, he’s got an important tale to tell!”

WHERE:       The Osher Studio, 2055 Center Street, Berkeley, CA 94704

Located in the Arts Passage on Center Street between Shattuck and Milvia — just a block from Berkeley Rep

 

WHEN:          18 PERFORMANCES:  April 23 – May 31, 2014

·         Wednesdays @ 7:00 PM; except 5/14, 5/21 and 5/28

·         Thursdays, Fridays, and Saturdays @ 8:00 PM

·         No performance on Friday, 5/9

·         No performance on Saturday 3/3 & 3/10

·         No performance on Sundays, Mondays, and

   Tuesdays

 

Special Events:

Low-cost previews: Wednesday 4/23 @ 7:00 PM and 

Thursday 4/[email protected] 8:00 PM

Opening Night: Friday 4/25 @ 8:00 PM

 

HOW MUCH: $30 – $45 (subject to change)

Tix & Info: (510) 647-2949 or berkeleyrep.org

                     Discounts:

       Half-price tickets available for anyone under 30 years of age

       $10 discount for students and seniors one hour before curtain

        Groups of 10 or more, contact (510) 647-2918 or [email protected]

 

PRESS KIT:      http://www.berkeleyrep.org/press/presskit-shows.asp

 

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Voleine Amilcar
Director of Public Relations

Berkeley Repertory Theatre

Phone: 510 647–2917

Cell: 510-912-0631
Fax: 510 647–2976
Email: [email protected]

 

 

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