Sarasota Opera Opens 57th Season on January 30th
Sarasota Opera to complete 28 year Verdi Cycle in 2016 Season
2016 Winter Opera Festival
Aida by Giuseppe Verdi (Sarasota Opera Premiere)
Così fan tutte by Wolfgang Amadeus Mozart
Fidelio by Ludwig van Beethoven
The Battle of Legnano by Giuseppe Verdi (Sarasota Opera Premiere)
Sarasota, FL – Sarasota Opera will open the 2016 Winter Festival Season, the largest and most climactic in the company’s 57 year history, on January 30th. The season will feature the final two installments of the 28 year Verdi Cycle – The Battle of Legnano and Aida– in a grand spectacle of music, vocal prowess, awe-inspiring choruses, sumptuous scenery, and luxurious costumes. In addition, the company will present Beethoven’s only opera, Fidelio, and Mozart’s comedic Così fan tutte.
“Through the Verdi Cycle, our audience has discovered that Verdi is a composer worth knowing at almost every level of his development,” says Maestro Victor DeRenzi, artistic director and principal conductor. “All of his works deserve to be performed and they all work best when they are experienced live in a theater. We are proud to be the only company in the world to have performed all his works.”
Executive Director Richard Russell echoes Maestro DeRenzi’s thoughts on the upcoming season. “This is a landmark year for Sarasota Opera,” says Mr. Russell. “The Verdi Cycle has been the most important artistic initiative for the company in the past 28 years and its completion is something we could not have accomplished without the support of our patrons.”
At the close of the Verdi Cycle on March 20, 2016, Sarasota Opera will be the only company in the world to have performed every note of Giuseppe Verdi intended for performance. The season will culminate with a “Verdi Festival Week” March 15 – 20. The Festival will include continued performances of both Verdi operas, two concerts dedicated to the music of Verdi, an international Verdi Conference, a 28 year retrospective exhibit on the Verdi Cycle, and many more commemorative events. More details forthcoming.
2016 Winter Opera Festival
Aida by Giuseppe Verdi
Sung in Italian with English supertitles
January 30
February 4, 7m, 10, 20, 23, 28
March 2, 5, 13m, 15, 19
A Sarasota Opera premiere/Verdi Cycle Production
One of opera’s most beloved tales of the tragic love triangle between a stunning slave, a vengeful princess, and a great warrior will make its Sarasota Opera debut in a new production opening the season on January 30th. Soprano Michelle Johnson (Élisabeth in Don Carlos) will return to Sarasota Opera in the title role having previously won praise for her performances of the Ethiopian princess at Glimmerglass Opera and Opera Santa Barbara. Mezzo-soprano Leann Sandel-Pantaleo, whose career has taken her to La Scala, Houston Grand Opera, and the Berlin Staatsoper, will make her Sarasota Opera debut as Amneris. Tenor Jonathan Burton (Don Carlos, Turandot) will make his role debut as Radamès, Marco Nisticò (Don Carlos, Rigoletto) will sing Amonasro, the King of Ethiopia, Young Bok Kim (Don Carlos, Jérusalem) will sing the High Priest Ramfis, and Jeffrey Beruan (Jérusalem, Il trovatore) will sing the King of Egypt. This new production will be the largest in Sarasota Opera’s history.
Stage Director Stephanie Sundine returns to direct and Victor DeRenzi will conduct.
Cosi fan tutte by Wolfgang Amadeus Mozart
Sung in Italian with English supertitles
February 6, 9, 11, 14m, 17, 21m, 26
March 4, 12
A Sarasota Opera production
Così fan tutte literally means “All women do this.” Two naïve young soldiers are compelled to pull a prank on their brides-to-be, and put their faithfulness to the test. Following her appearance this fall as Musetta in La bohème, Angela Mortellaro will return to sing the role of the scheming maid Despina and native Italian bass Stefano de Peppo (A King for a Day, La Cenerentola) will sing Don Alfonso. The four lovers in the story will be sung by Jennifer Townshend (Don Carlos) as Fiordiligi, Shirin Eskandani (Sarasota Opera debut) as Dorabella, Heath Huberg (Jérusalem, The Pearl Fishers) as Ferrando, and Corey Crider (A King for a Day) as Guglielmo. Italian conductor Marcello Cormio (The Barber of Seville, The Marriage of Figaro) returns to conduct and Kathleen Smith Belcher, who has served as stage director at the Metropolitan Opera and San Francisco Opera, makes her company directorial debut.
Mozart’s enthralling comedy and masterful score will lighten your heart and make for an evening of great fun.
Fidelio by Ludwig van Beethoven
Sung in German with English supertitles
February 13, 18, 24, 28m
March 1, 5, 11
A new Sarasota Opera production
Sub-titled “The Triumph of Married Love,” Beethoven’s only opera tells the story of Leonore who disguises herself as the young man, Fidelio, to save her beloved husband, Florestan, from prison. Her undying love and perseverance ultimately saves him from certain death.
This opera, last performed at Sarasota Opera in 1995, will have many artists well-known to Sarasota Opera audiences. Kara Shay Thomson (Tosca, Vanessa) returns to sing the role of Leonore and Michael Robert Hendrick (Pagliacci, Of Mice and Men) will sing the role of her in justly imprisoned husband Florestan. The cast also includes Sean Anderson (The Marriage of Figaro, Of Mice and Men) as Don Pizarro, Harold Wilson (The Flying Dutchman) as Rocco, and Jeffrey Beruan (Jérusalem, Il trovatore) as Don Fernando. Returning to the podium after a triumphant debut of Rimsky-Korsakov’s The Golden Cockerel last season will be maestro Ekhart Wycik and stage director Tom Diamond (The Flying Dutchman, The Golden Cockerel) will return to direct.
The Battle of Legnano by Giuseppe Verdi
Sung in Italian with English supertitles
February 27
March 3, 6m, 8, 12m, 16, 18
Sarasota Opera Premiere/Verdi Cycle Opera
Opening on February 27, 2016, Verdi’s The Battle of Legnano will be the final opera presented as part of Sarasota Opera’s Verdi Cycle. As a nation struggles to break away from foreign oppression, love for the same woman tests the friendship of two warriors as honor calls them into battle. Described as possessing a soprano that is both “gleaming and glorious” soprano Jennifer Black will make her Sarasota Opera debut as Lida, the source of conflict between the two warriors. Arrigo, Lida’s former lover thought dead, will be sung by Martín Nusspaumer (La bohème), and Rolando, Lida’s husband, will be sung by Todd Thomas (Tosca, Attila). Together with Verdi’s monumental Aida, this tale of love, broken friendship, and war will help close the Verdi Cycle.
A new production, The Battle of Legnano will be directed by Martha Collins (Tosca, Jérusalem) and conducted by Victor DeRenzi.
Subscriptions and single tickets for the 2016 Winter Festival Season are available. For more information or to secure your single tickets or subscription for the 2016 season, visit www.sarasotaopera.org or contact the Sarasota Opera Box Office at 61 N. Pineapple Avenue, Sarasota, FL 34236 and can be reached at (941) 328-1300.
2016 Winter Festival Season
Aida by Giuseppe Verdi
Sung in Italian with English supertitles
January 30, February 4, 7m, 10, 20m, 23, 28,
March 2, 5, 13m, 15, 19, 2016
A Sarasota Opera Premiere/Verdi Cycle Opera
Opening Night performance begins at 7pm
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
The King of Egypt: Jeffrey Beruan
Amneris: Leann Sandel-Pantaleo*
Aida: Michelle Johnson
Radames: Jonathan Burton
Ramfis: Young Bok Kim
Amonasro: Marco Nisticò
High Priestess: Mary-Hollis Hundley•
The Messenger: Matthew Vickers•
Conductor: Victor DeRenzi
Stage Director: Stephanie Sundine
Scenic Designer: David P. Gordon
Costume Coordinator: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
* Sarasota Opera debut
- Sarasota Opera Studio Artist
Così fan tutte by Wolfgang Amadeus Mozart
Sung in Italian with English supertitles
February 6, 9, 11, 14m, 17, 21m, 26,
March 4, 12, 2016
A Sarasota Opera production
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
The March 12th performance will begin at 8pm
Artists:
Fiordiligi: Jennifer Townshend
Dorabella: Shirin Eskandani*
Guglielmo: Corey Crider
Ferrando: Heath Huberg
Despina: Angela Mortellaro
Don Alfonso: Stefano de Peppo
Conductor: Marcello Cormio
Stage Director: Kathleen Smith Belcher*
Scenic Designer: David P. Gordon
Costume Designer: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
* Sarasota Opera debut
Fidelio by Ludwig von Beethoven
Sung in German with English supertitles
February 13, 18, 24, 28m,
March 1, 5m, 11, 2016
A Sarasota Opera production
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
Don Fernando: Jeffrey Beruan
Don Pizarro: Sean Anderson
Florestan: Michael Robert Hendrick
Leonore: Kara Shay Thomson
Rocco: Harold Wilson
Marzelline: Vanessa Isiguen•
Jaquino: Christopher Trapani•
Conductor: Eckhart Wycik
Stage Director: Tom Diamond
Scenic Designer: Michael Schweikardt
Costume Designer: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
- Sarasota Opera Studio Artist
The Battle of Legnano by Giuseppe Verdi
Sung in Italian with English supertitles
February 27 March 3, 6m, 8, 12m, 16, 18, 2016
Sarasota Opera Premiere/Verdi Cycle Opera
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
Federico Barbarossa: Young Bok Kim
Rolando: Todd Thomas
Lida: Jennifer Black*
Arrigo: Martìn Nusspaumer
Marcovaldo: Harold Wilson
Imelda: Tara Curtis•
Conductor: Victor DeRenzi
Stage Director: Matha Collins
Scenic Designer: Jeffrey W. Dean
Costume Coordinator: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
*Sarasota Opera debut
- Sarasota Opera Studio Artist
ABOUT SARASOTA OPERA
Based in Florida’s beautiful Gulf Coast, Sarasota Opera is in the midst of its 57th consecutive season. In 1960, the company began presenting chamber-sized repertoire in the historic 320-seat Asolo Theater on the grounds of Sarasota’s Ringling Museum of Art. Recognizing the need for a theater more conducive to opera, the company purchased the former A.B. Edwards Theater in downtown Sarasota in 1979 and first performing in it in 1984 as the Sarasota Opera House. The theater has just undergone a $20-million renovation and rehabilitation enhancing audience amenities, while updating the technical facilities including increasing the size of the orchestra pit. The theater, which reopened in March 2008, has been called “one of America’s finest venues for opera” by Musical America.
Since 1983 the company has been under the artistic leadership of Victor DeRenzi. Since then the company has garnered international attention with its Masterwork Revivals Series, which presents neglected works of artistic merit, as well as the Verdi Cycle producing the complete works of Giuseppe Verdi. Recognizing the importance of training, Maestro DeRenzi founded the Apprentice Artist and Studio Artist programs. Sarasota Opera also maintains a commitment to education through its Invitation to Opera performances for local schools and the unique Sarasota Youth Opera program.
Sarasota Opera is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, the Florida Arts Council, and the National Endowment for the Arts. Programs are supported in part by an award the Tourist Development Tax through the Board of County Commissioners, the Tourist Development Council and the Sarasota County Arts Council. Additional funding is provided by the City of Sarasota and the County of Sarasota.
Review of Sarasota Opera’s presentation of Giuseppe Verdi’s Aida
February 1, 2016 Comment Off 367 Views“Aida, a step back in time!”
How wonderful to have the opportunity to see such a piece of history as Verdi’s Aida at the Sarasota Opera House!
The production was flawless, with all the pageantry, elaborate costuming, lavish sets, creative lighting and world class talent that one would expect to see in an opera house in London, Paris or New York. It is amazing for a city of our size to have an opera house that produces shows of this caliber. We “Sarasotans” should be proud!
The music was interesting, no catchy tune that would stick in your head, but as is expected in opera, every word uttered is a note sung. The delivery of the string of notes was so beautifully expressed in the Italian language with such perfect articulation, gestures and emotions that Italians are so famous for, it made me wonder if I was in Rome rather than Sarasota. Subtitles were shown above so one could glance up anytime for translations, but the music and acting carried so well it was hardly needed to follow the story of love and betrayal.
As a producer myself, I imagined if I were Verdi commissioned to create such an opera for the Cairo Opera House in 1871, I would have written the music with quarter tones and set it in the language of where the story was taking place, and included instruments and dance in alignment with the geographical location in order to transport the audience into “Pharonic times”.
Instead, I felt transported into Verdi’s Italian interpretation of how Italians, dressed like Pharaohs, sing, dance and behave like Italians, rather than like Pharaohs.
But this interpretation actually added another layer of interest. Verdi, being the forward thinking fellow he was, probably knew that if his opera were sung in Coptic Egyptian it might have not had the same appeal in European opera houses. Thus, we have “Italian singing” Pharaohs.I was in awe of how at times a singer could begin a series of notes a capella, only to be joined later by the accomplished orchestra, all while on the same note! What perfect pitch! How much strength of presence and breath support these performers have to fill such a large and beautiful space as our Sarasota Opera House. What incredible memories, strong command of language and music, and superb acting skills these performers have in order to perform so flawlessly!
Suddenly, during a ceremonial scene, it seemed as though a whole city emerged onto the stage! Large choruses and the Sarasota Ballet added yet another dimension to the pageantry, as a parade of bejeweled villagers appeared bearing fruits, jewels, and furs. The arrival of shackled prisoners of war cleverly demonstrated the harsh reality of every conquest. With so much fanfare of music and song, I almost expected live elephants to walk onto the stage!
The performance kept me happily entertained nearly 4 hours. The Opera House was full, and it seemed that no one left early, which indicates others were equally captivated, not only by the great talent of this production, but also the story line kept one wanting to see how it would all resolve.
The ending was ruined for me (not really!) by the man who sat next to me, saying, “Oh the lovers are going to die at the end. That’s how all operas end!” Actually, the death scene was brilliantly portrayed with a 2 level set design and very clever lighting, which made the viewer present to what was happening both above and below the earth simultaneously.
When the lights came on for each of the 3 intermissions, it was as though my umbilical chord had been cut and I was pulled out of a fantasy world where every word and emotion is portrayed through music. Suddenly I found myself in a radically different reality, one where people didn’t sing as they spoke; a world of cell phones and responsibilities. I couldn’t wait for the next act to begin so I could crawl back into my personal time capsule.
At the end, I felt refreshed when I left, as though I had been in a long mediation, “at one” with the total performance: the music, the characters and their feelings. This can only happen when a a production is so perfect and the singers are so talented not only as singers but also as actors that they pull you right into their story.
In conclusion: If you miss this cameo production of Aida at the Sarasota Opera House, you will be kicking yourself that you missed a monumental artistic accomplishment and a most memorable evening in our beloved City of Sarasota.
Sarasota Opera Opens 57th Season on January 30th
Sarasota Opera to complete 28 year Verdi Cycle in 2016 Season
2016 Winter Opera Festival
Aida by Giuseppe Verdi (Sarasota Opera Premiere)
Così fan tutte by Wolfgang Amadeus Mozart
Fidelio by Ludwig van Beethoven
The Battle of Legnano by Giuseppe Verdi (Sarasota Opera Premiere)
Sarasota, FL – Sarasota Opera will open the 2016 Winter Festival Season, the largest and most climactic in the company’s 57 year history, on January 30th. The season will feature the final two installments of the 28 year Verdi Cycle – The Battle of Legnano and Aida– in a grand spectacle of music, vocal prowess, awe-inspiring choruses, sumptuous scenery, and luxurious costumes. In addition, the company will present Beethoven’s only opera, Fidelio, and Mozart’s comedic Così fan tutte.
“Through the Verdi Cycle, our audience has discovered that Verdi is a composer worth knowing at almost every level of his development,” says Maestro Victor DeRenzi, artistic director and principal conductor. “All of his works deserve to be performed and they all work best when they are experienced live in a theater. We are proud to be the only company in the world to have performed all his works.”
Executive Director Richard Russell echoes Maestro DeRenzi’s thoughts on the upcoming season. “This is a landmark year for Sarasota Opera,” says Mr. Russell. “The Verdi Cycle has been the most important artistic initiative for the company in the past 28 years and its completion is something we could not have accomplished without the support of our patrons.”
At the close of the Verdi Cycle on March 20, 2016, Sarasota Opera will be the only company in the world to have performed every note of Giuseppe Verdi intended for performance. The season will culminate with a “Verdi Festival Week” March 15 – 20. The Festival will include continued performances of both Verdi operas, two concerts dedicated to the music of Verdi, an international Verdi Conference, a 28 year retrospective exhibit on the Verdi Cycle, and many more commemorative events. More details forthcoming.
2016 Winter Opera Festival
Aida by Giuseppe Verdi
Sung in Italian with English supertitles
January 30
February 4, 7m, 10, 20, 23, 28
March 2, 5, 13m, 15, 19
A Sarasota Opera premiere/Verdi Cycle Production
One of opera’s most beloved tales of the tragic love triangle between a stunning slave, a vengeful princess, and a great warrior will make its Sarasota Opera debut in a new production opening the season on January 30th. Soprano Michelle Johnson (Élisabeth in Don Carlos) will return to Sarasota Opera in the title role having previously won praise for her performances of the Ethiopian princess at Glimmerglass Opera and Opera Santa Barbara. Mezzo-soprano Leann Sandel-Pantaleo, whose career has taken her to La Scala, Houston Grand Opera, and the Berlin Staatsoper, will make her Sarasota Opera debut as Amneris. Tenor Jonathan Burton (Don Carlos, Turandot) will make his role debut as Radamès, Marco Nisticò (Don Carlos, Rigoletto) will sing Amonasro, the King of Ethiopia, Young Bok Kim (Don Carlos, Jérusalem) will sing the High Priest Ramfis, and Jeffrey Beruan (Jérusalem, Il trovatore) will sing the King of Egypt. This new production will be the largest in Sarasota Opera’s history.
Stage Director Stephanie Sundine returns to direct and Victor DeRenzi will conduct.
Cosi fan tutte by Wolfgang Amadeus Mozart
Sung in Italian with English supertitles
February 6, 9, 11, 14m, 17, 21m, 26
March 4, 12
A Sarasota Opera production
Così fan tutte literally means “All women do this.” Two naïve young soldiers are compelled to pull a prank on their brides-to-be, and put their faithfulness to the test. Following her appearance this fall as Musetta in La bohème, Angela Mortellaro will return to sing the role of the scheming maid Despina and native Italian bass Stefano de Peppo (A King for a Day, La Cenerentola) will sing Don Alfonso. The four lovers in the story will be sung by Jennifer Townshend (Don Carlos) as Fiordiligi, Shirin Eskandani (Sarasota Opera debut) as Dorabella, Heath Huberg (Jérusalem, The Pearl Fishers) as Ferrando, and Corey Crider (A King for a Day) as Guglielmo. Italian conductor Marcello Cormio (The Barber of Seville, The Marriage of Figaro) returns to conduct and Kathleen Smith Belcher, who has served as stage director at the Metropolitan Opera and San Francisco Opera, makes her company directorial debut.
Mozart’s enthralling comedy and masterful score will lighten your heart and make for an evening of great fun.
Fidelio by Ludwig van Beethoven
Sung in German with English supertitles
February 13, 18, 24, 28m
March 1, 5, 11
A new Sarasota Opera production
Sub-titled “The Triumph of Married Love,” Beethoven’s only opera tells the story of Leonore who disguises herself as the young man, Fidelio, to save her beloved husband, Florestan, from prison. Her undying love and perseverance ultimately saves him from certain death.
This opera, last performed at Sarasota Opera in 1995, will have many artists well-known to Sarasota Opera audiences. Kara Shay Thomson (Tosca, Vanessa) returns to sing the role of Leonore and Michael Robert Hendrick (Pagliacci, Of Mice and Men) will sing the role of her in justly imprisoned husband Florestan. The cast also includes Sean Anderson (The Marriage of Figaro, Of Mice and Men) as Don Pizarro, Harold Wilson (The Flying Dutchman) as Rocco, and Jeffrey Beruan (Jérusalem, Il trovatore) as Don Fernando. Returning to the podium after a triumphant debut of Rimsky-Korsakov’s The Golden Cockerel last season will be maestro Ekhart Wycik and stage director Tom Diamond (The Flying Dutchman, The Golden Cockerel) will return to direct.
The Battle of Legnano by Giuseppe Verdi
Sung in Italian with English supertitles
February 27
March 3, 6m, 8, 12m, 16, 18
Sarasota Opera Premiere/Verdi Cycle Opera
Opening on February 27, 2016, Verdi’s The Battle of Legnano will be the final opera presented as part of Sarasota Opera’s Verdi Cycle. As a nation struggles to break away from foreign oppression, love for the same woman tests the friendship of two warriors as honor calls them into battle. Described as possessing a soprano that is both “gleaming and glorious” soprano Jennifer Black will make her Sarasota Opera debut as Lida, the source of conflict between the two warriors. Arrigo, Lida’s former lover thought dead, will be sung by Martín Nusspaumer (La bohème), and Rolando, Lida’s husband, will be sung by Todd Thomas (Tosca, Attila). Together with Verdi’s monumental Aida, this tale of love, broken friendship, and war will help close the Verdi Cycle.
A new production, The Battle of Legnano will be directed by Martha Collins (Tosca, Jérusalem) and conducted by Victor DeRenzi.
Subscriptions and single tickets for the 2016 Winter Festival Season are available. For more information or to secure your single tickets or subscription for the 2016 season, visit www.sarasotaopera.org or contact the Sarasota Opera Box Office at 61 N. Pineapple Avenue, Sarasota, FL 34236 and can be reached at (941) 328-1300.
2016 Winter Festival Season
Aida by Giuseppe Verdi
Sung in Italian with English supertitles
January 30, February 4, 7m, 10, 20m, 23, 28,
March 2, 5, 13m, 15, 19, 2016
A Sarasota Opera Premiere/Verdi Cycle Opera
Opening Night performance begins at 7pm
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
The King of Egypt: Jeffrey Beruan
Amneris: Leann Sandel-Pantaleo*
Aida: Michelle Johnson
Radames: Jonathan Burton
Ramfis: Young Bok Kim
Amonasro: Marco Nisticò
High Priestess: Mary-Hollis Hundley•
The Messenger: Matthew Vickers•
Conductor: Victor DeRenzi
Stage Director: Stephanie Sundine
Scenic Designer: David P. Gordon
Costume Coordinator: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
* Sarasota Opera debut
Così fan tutte by Wolfgang Amadeus Mozart
Sung in Italian with English supertitles
February 6, 9, 11, 14m, 17, 21m, 26,
March 4, 12, 2016
A Sarasota Opera production
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
The March 12th performance will begin at 8pm
Artists:
Fiordiligi: Jennifer Townshend
Dorabella: Shirin Eskandani*
Guglielmo: Corey Crider
Ferrando: Heath Huberg
Despina: Angela Mortellaro
Don Alfonso: Stefano de Peppo
Conductor: Marcello Cormio
Stage Director: Kathleen Smith Belcher*
Scenic Designer: David P. Gordon
Costume Designer: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
* Sarasota Opera debut
Fidelio by Ludwig von Beethoven
Sung in German with English supertitles
February 13, 18, 24, 28m,
March 1, 5m, 11, 2016
A Sarasota Opera production
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
Don Fernando: Jeffrey Beruan
Don Pizarro: Sean Anderson
Florestan: Michael Robert Hendrick
Leonore: Kara Shay Thomson
Rocco: Harold Wilson
Marzelline: Vanessa Isiguen•
Jaquino: Christopher Trapani•
Conductor: Eckhart Wycik
Stage Director: Tom Diamond
Scenic Designer: Michael Schweikardt
Costume Designer: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
The Battle of Legnano by Giuseppe Verdi
Sung in Italian with English supertitles
February 27 March 3, 6m, 8, 12m, 16, 18, 2016
Sarasota Opera Premiere/Verdi Cycle Opera
Evening performances begin at 7:30pm and matinee performances begin at 1:30pm
Artists:
Federico Barbarossa: Young Bok Kim
Rolando: Todd Thomas
Lida: Jennifer Black*
Arrigo: Martìn Nusspaumer
Marcovaldo: Harold Wilson
Imelda: Tara Curtis•
Conductor: Victor DeRenzi
Stage Director: Matha Collins
Scenic Designer: Jeffrey W. Dean
Costume Coordinator: Howard Tsvi Kaplan
Lighting Designer: Ken Yunker
*Sarasota Opera debut
ABOUT SARASOTA OPERA
Based in Florida’s beautiful Gulf Coast, Sarasota Opera is in the midst of its 57th consecutive season. In 1960, the company began presenting chamber-sized repertoire in the historic 320-seat Asolo Theater on the grounds of Sarasota’s Ringling Museum of Art. Recognizing the need for a theater more conducive to opera, the company purchased the former A.B. Edwards Theater in downtown Sarasota in 1979 and first performing in it in 1984 as the Sarasota Opera House. The theater has just undergone a $20-million renovation and rehabilitation enhancing audience amenities, while updating the technical facilities including increasing the size of the orchestra pit. The theater, which reopened in March 2008, has been called “one of America’s finest venues for opera” by Musical America.
Since 1983 the company has been under the artistic leadership of Victor DeRenzi. Since then the company has garnered international attention with its Masterwork Revivals Series, which presents neglected works of artistic merit, as well as the Verdi Cycle producing the complete works of Giuseppe Verdi. Recognizing the importance of training, Maestro DeRenzi founded the Apprentice Artist and Studio Artist programs. Sarasota Opera also maintains a commitment to education through its Invitation to Opera performances for local schools and the unique Sarasota Youth Opera program.
Sarasota Opera is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, the Florida Arts Council, and the National Endowment for the Arts. Programs are supported in part by an award the Tourist Development Tax through the Board of County Commissioners, the Tourist Development Council and the Sarasota County Arts Council. Additional funding is provided by the City of Sarasota and the County of Sarasota.
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