Today,
L’Amour Bleu premiered a psychedelic new video for their song
“Sisters” via
Paper Magazine –
PRESS HERE to watch! The video features muse and performer
Bailey Stiles dancing over the catchy riff-rock song as she is transformed by kaleidoscopic patterns.
L’Amour Bleu released their debut album
Please on
February 14, 2017 via
Static Recital –
PRESS HERE to purchase the album.
“L’Amour Bleu adores Bailey dearly,” the band reflected on the collaboration. “We were plotting to collaborate with her on a project and the video for ‘Sisters’ was the perfect opportunity. Such an inspiring muse and artist, she understood the content of the track perfectly and made this video magic.”
Since the Valentine’s Day debut of their album
Please,
L’Amour Bleu have shared vibrant, boundary-pushing videos for
“Take It” starring contemporary dancers
Rashaun Mitchell and Silas Reiner (
PRESS HERE to watch) and for
“Slave” featuring
drag performer Jimmy Brenner (
PRESS HERE to watch).The band’s dynamic visuals highlight their impressive range of creative collaborators –
PRESS HERE to watch the video for
“New Dominance” starring
Little Richard impersonator CP Lacey, and
PRESS HERE to watch the video for
“Human Mattress” which finds the band joined by
designer Misha Kahn, actor Allison LaPlatney and
artist Cara Benedetto.
Founded by drummer Matt Tong (Bloc Party, Algiers) and guitarist/vocalist Ryan Schaefer (Palms), L’Amour Bleu‘s unbridled, avant-garde riff-rock challenges traditional limits of music and performance with a distinctly New York aesthetic. Named for the historical textbook of male sensuality, L’Amour Bleu’s lineup is completed by art director and exhibitionist performer Shane Ruth (Baby) and guitarist/bassist E.A. Ireland.
L’Amour Bleu‘s performances eschew conventionalism, involving raucous improvisational collaborations with artists such as Stanley Love, Delia Gonzalez and samurai dancer Takemi Kitamura in spaces ranging from the Museum of Contemporary Art in Cleveland to feted Bushwick rave-hole Bossa Nova Civic Club. Working between studios in Midtown Manhattan and Sunnyside, Queens, the group channels elements of performance art and garage rock to explore the frustration and decadence of emotional voyeurism through the aesthetics of masculine desire.