Tribeca New Music continues its 2016-2017 Festival season with a doubleheader concert featuring pianist Kathleen Supové and composer Neil Rolnick as they perform works from their new CDs The Debussy Effect (Supové) and EX MACHINA (Rolnick); The concert takes place at nancy manocherian’s – the cell, 338 West 23rd Street (bet. 8th & 9th Ave.) in NYC, on Sunday, December 4 at 4PM. Tickets range in price from $10 to $30

Comment Off 30 Views

 

Tribeca New Music presents

Doubleheader:

The Debussy Effect with Kathleen Supové and

EX MACHINA with Neil Rolnick

A doubleheader Concert & CD release event featuring works by Joan LaBarbara, Matt Marks, Erick KM Clark, Annie Gosfield, Daniel Felsenfeld, Jacob Cooper and Neil Rolnick

Sunday, December 4 at nancy manocherian’s the cell, 4:00PM, NYC

Tribeca New Music continues its 2016-2017 Festival season with a doubleheader concert featuring pianist Kathleen Supové and composer Neil Rolnick as they perform works from their new CDs The Debussy Effect (Supové) and EX MACHINA (Rolnick). The concert takes place at nancy manocherian’s the cell, 338 West 23rd Street (bet. 8th & 9th Ave.) in NYC, on Sunday, December 4 at 4PM. Tickets range in price from $10 to $30. For details and to buy tickets, please go to Tribeca New Music.

The Debussy Effect and EX MACHINA

“What Ms. Supové is really exploding is the piano recital as we have known it, a mission more radical and arguably more needed.”

New York Times

“Rolnick’s music is a vivid and vigorous hybrid of idioms … [but] None of those labels quite encapsulates the solid vitality of the whole.”

Washington Post

The Debussy Effect showcases new works written for pianist Kathleen Supové. The composers bring their own sense of and personal relationship to Debussy in a collection of 21st century works for solo piano and electronics.

Joan LaBarbara’s Storefront Diva (for piano and sonic atmosphere) takes several fragmentary quotes from the writings of Joseph Cornell, American artist and sculptor, as inspiration for her sound paintings.

Matt Markss Dr. Gradus vs. Rev. Powell is a play on the famously virtuosic movement of Debussy’s Children’s Corner, “Doctor Gradus ad Parnassum.”

Inhis Layerings 3, Eric Kenneth Malcolm Clark builds a kaleidoscopic texture from several recordings of Supové playing the same material.

Randall Woolf’s What Remains of a Rembrandt engages with aspects of Debussy’s legacy that go beyond his harmonic or rhythmic nuts and bolts.

Annie Gosfield’s Shattered Apparitions of the Western Wind for piano and electronics is inspired by Debussy’s piano work What the West Wind Saw. Toggling between pre-recorded fragments of the Debussy, musique concrète recordings of Hurricane Sandy, and Supové’s live piano, Gosfield creates a musical landscape that seems to track the dramatic experience of living through a powerful natural event.

Daniel Felsenfeld’s Cakewalking for solo piano deconstructs Debussy’s famous, and controversial, Golliwog’s Cakewalk.

Thefinal workof the setis Jacob Coopers La plus que plus que lente, a title that describes the process through which he most frequently engages the material from Debussy’s original work, La plus que lente — that is, he slows it down against an ambient electronic background.

ComposerNeil Rolnick’s EX MACHINA is a electroacoustic “tour de force” written specifically for cellist Ashley Bathgate, wind player Andrew Sterman, pianist Kathleen Supové, and the composer himself on keyboard and electronics.

InSilicon Breath, Andrew Sterman (the Phillip Glass Ensemble) uses the alto saxophone to coax the computer into sounds luscious and swinging. Kathleen Supové in Dynamic RAM & Concert Grand trades control of the computer back and forth with Rolnick while romping through a cornucopia of piano styles.

AshleyBathgate(of theBang onaCanAll-Stars)integrates hercellowith thelaptop, takingcontrolof theprocessing tocreatea performanceof orchestralproportionsinCello Ex Machina. Rolnick is alone with his machine in WakeUp and O Brother! – mashups that spin and shape alternative narratives from familiar samples.

Coming up this season on the Tribeca New Music 2016-2017 Festival

  • February 19: On Behalf Of… Violinist Hajnal Pivnick and pianist Brianna Matzke premiere new works

  • April 23: NYC premieres Hitchcock and Kubrick Etudes by Nicole Lizée (Kathleen Supové), and Cowboy Rounds by Ian Dicke

  • May TBA: Wunderkammern The Secret Life of Objects: (NYC premiere) A film by Erika Suderberg with live music by Eleonor Sandresky

  • June TBA: Tribeca Monsters: World premiere of a Scott Johnson trio, with new works from the 2017 Young Composer Competition

Tribeca New Music is a not-for-profit organization that promotes a bold new classical music infused with pop culture. TNM is funded in part by:

Print Friendly
In : Music

About the author

Editor of Don411.com Media website.
Free Newsletter Updated Daily