The Dallas Opera is the Proud Recipient Of a $50,000 Art Works Grant from the National Endowment for the Arts; Supporting the January 2015 World Premiere Production of Joby Talbot and Gene Scheer’s EVEREST; One of 919 Non-profit Organizations in the U.S. Receiving Grant Monies Totaling $26.6 Million

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The Dallas Opera is the Proud Recipient

Of a $50,000 Art Works Grant from the

National Endowment for the Arts

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Supporting the January 2015 World Premiere Production of

Joby Talbot and Gene Scheer’s

EVEREST

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One of 919 Non-profit Organizations in the U.S. Receiving Grant Monies Totaling $26.6 Million

 

DALLAS, TX, DECEMBER 2, 2014 – The Dallas Opera is pleased to announce that it is one of 919 non-profit organizations, nationwide, to be honored with an NEA Art Works grant from the National Endowment for the Arts.

The awards were announced earlier today in Washington by NEA Chairman Jane Chu, who explained that “the arts foster value, connection, creativity and innovation for the American people.  These recommended grants demonstrate those attributes and affirm that the arts are part of our everyday lives.”

The Dallas Opera’s award will go to support the upcoming world premiere production of Joby Talbot and Gene Scheer’s EVEREST, opening January 30, 2015 for the first of four performances in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center.

 

“We are happy to be named a recipient of an NEA Art Works grant,” says Dallas Opera General Director and CEO Keith Cerny, “and happier still that the value of this project—the first of three Dallas Opera world premieres in calendar 2015— has been recognized at the national level.  TDO is committed to new works and dedicated to fostering new opportunities for the most talented composers, librettists, designers and directors of our time.  EVEREST allows us to pursue both these worthy goals, while creating timely and relevant entertainment options for music lovers from across North Texas.”

 

Art Works grants also support public engagement with art, lifelong learning in the arts, and the enhanced livability of communities through the arts.  The NEA received nearly 1,500 eligible applications this year and awarded grants totaling $26.6 million.

 

For a complete listing of projects, visit the NEA website at arts.gov.

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Single tickets for the remaining mainstage productions of the Dallas Opera’s “Heights of Passion” Season—including the world premiere production of Joby Talbot and Gene Scheer’s EVEREST—are on sale now, starting at just $19, through the Dallas Opera Ticket Services Office at 214.443.1000 or online at www.dallasopera.org.  Student Rush best-available tickets can be purchased at the lobby box office for as little as $25 (one per valid Student I.D.) ninety minutes prior to each performance.

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EVENTS, GUESTS AND ARTISTS SUBJECT TO CHANGE

 

ADDITIONAL INFORMATION ABOUT “DECEMBER AT THE DALLAS OPERA”

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

 

For high-resolution, digital photographs suitable for print

To arrange an interview

Or for additional information

Please contact Suzanne Calvin, Director of Media and Public Relations

214.443.1014 or [email protected]

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TEXAS INSTRUMENTS, 2014-2015 SEASON SPONSOR

FOR THE DALLAS OPERA’S “HEIGHTS OF PASSION” SEASON

ADDITIONAL INFORMATION ABOUT THE DALLAS OPERA

IS CONVENIENTLY AVAILABLE ONLINE, 24/7

VISIT WWW.DALLASOPERA.ORG AND CHECK THE CALENDAR LISTINGS

Ticket Information for the 2014-2015 Dallas Opera Spring Season

   

All performances are in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center unless otherwise described.  Single Tickets range from $19 to $275 and Flex Subscriptions are on sale starting at $75.  Family performance tickets are just $5.  For more information or to make your purchase, contact The Dallas Opera Ticket Services Office at 214.443.1000 or visit us online, 24/7, at www.dallasopera.org.

 

THE DALLAS OPERA 2014-2015 SEASON INFORMATION

The Dallas Opera celebrates its Fifty-Eighth International Season in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District. Evening performances will begin at 7:30 p.m. and Sunday matinees begin at 2:00 p.m. unless otherwise stated.  English translations will be projected above the stage at every performance and assistance is available for the hearing impaired.  The Joy and Ronald Mankoff Pre-Opera Talk will begin one hour prior to curtain, at most performances excluding FIRST NIGHT of the season.

 

A RARE DALLAS OPERA DOUBLE BILL:

 

LA WALLY by Alfredo Catalani

January 30, February 1(m), 4 and 7, 2015

The Climactic Final Act!

First performed in Milan, Italy on January 20, 1892

Text by Luigi Illica after Wilhelmine von Hillern’s story, Die Geyer-Wally

Time: Around the year 1800

Place: The Austrian Alps

Conductor: Anthony Barrese

Stage Director: Candace Evans

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Latonia Moore (Wally), Carl Tanner* (Giuseppe Hagenbach) and Jennifer Chung (Walter)

A Brand-New Dallas Opera Production!

 

With EVEREST by Joby Talbot

January 30, February 1(m), 4 and 7, 2015

A Dallas Opera World Premiere!

Text by Gene Scheer

Time: Modern Day

Place: In the Death Zone on Mount Everest

Conductor: Nicole Paiement

Stage Director: Leonard Foglia

Scenic Design: Robert Brill

Costume Design: David C. Woolard

Video Design: Elaine J. McCarthy

Lighting Design: Christopher Akerlind

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Andrew Bidlack (Rob Hall), Sasha Cooke (Jan Arnold), Kevin Burdette* (Beck Weathers) and Craig Verm* (Doug Hanson).

 

LA BOHÈME by Giacomo Puccini

March 13, 15(m), 18, 21, 27 and 29(m), 2015

A passionate and timeless masterpiece in a beloved period production

An opera in four acts first performed in Turin, Italy on February 1, 1896

Text by Giuseppe Giacosa and Luigi Illica after Henry Murger’s novel Scènes de la vie de bohème

Time: mid-19th century

Place: The Latin Quarter of Paris, France

Conductor: Riccardo Frizza*

Stage Director: Peter Kazaras

Scenic Design: Jean-Pierre Ponnelle

Costume Design: Peter J. Hall

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Children’s Chorus Master: Melinda Cotton

Starring: Ana Maria Martinez (Mimi), Bryan Hymel (Rodolfo), Davinia Rodriguez* (Musetta), Jonathan Beyer (Marcello), Alexander Vinogradov* (Colline), Stephen LaBrie (Schaunard) and Stefan Szkafarowsky (Benoit).

One of the Dallas Opera’s Most Popular!

 

IOLANTA by Pyotr Ilyich Tchaikovsky

April 10, 12(m), 15 and 18, 2015

A rarely performed Tchaikovsky gem, set in Medieval Provence!

First performed in St. Petersburg, Russia on December 18, 1892

Text by Modest Tchaikovsky based on the Danish play King Rene’s Daughter by Henrik Hertz

Time: The 15th century

Place: Provence, a mountainous region in Southern France

Conductor: Emmanuel Villaume

Stage Director: Christian Räth

Scenic Design: Christian Räth

Costume Design: Susan Cox

Video Design: Elaine J. McCarthy

Lighting Design: Thomas C. Hase

Wig & make-up Design: David Zimmerman

Chorus Master: Alexander Rom

Starring: Ekaterina Scherbachenko* (Iolanta), Sergei Skorokhodov* (Count Vaudémont), Joanna Mongiardo* (Brigitta), Lauren McNeese (Laura), Tamara Mumford* (Marta), Andrei Bondarenko** (Robert, Duke of Burgandy), Mikhail Kolelishvili (Renè, King of Provence), Andrew Bidlack (Alméric), Vladislav Sulimsky** (Ibn-Hakia) and Jordan Bisch (Bertrand).

Another New Dallas Opera Production

 

* Dallas Opera Debut

** American Debut

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The Dallas Opera is supported, in part, by funds from:  Texas Instruments Foundation, TACA, City of Dallas, Office of Cultural Affairs; the Texas Commission on the Arts and The National Endowment for the Arts (NEA)American Airlines is the official airline of The Dallas Opera.  Lexus is the official vehicle of The Dallas Opera.  Advertising support from The Dallas Morning News.  A special thanks to the Elsa von Seggern Foundation for its continuing support.

 

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