JAKE BUGG will mark Record Store Day (4/19) with an Exclusive EP release “Live at Silver Platters”

Comment Off 5 Views

Brilliantnewsinger/songwriter JAKE BUGG will mark Record Store Day (4/19) with an Exclusive EP release “Live at Silver Platters” and we have your first listen of Lightning Bolt, check it out below. The new EP features four acoustic tracks recorded at Jake’s Jan 20th performance at Seattle’s Silver Platters and will be available on 12” vinyl & on CD. 

 

 

 

Jake also just teamed up with Hunger TV for an alternate artistic and boundary pushing video for his new UK single Messed Up Kids.

 

 

 

Lightning Bolt from “Live at Silver Platters”:  http://www.youtube.com/watch?v=sjQ8T4ToTiI&feature=share&list=UUYJQCYTH9SysQiBpVVuJNdg

 

 

 

 

Hunger TV Exclusive Messed Up Kids: http://www.hungertv.com/feature/exclusive-jake-bugg-messed-kids/

 

 

 

 

Get to know Jake: http://jakebugg.com/

 

Facebook: www.facebook.com/jakebugguk

 

Twitter/Instagram:  @jakebugg

 

 Live at Silver Platters info: http://www.recordstoreday.com/SpecialRelease/6780

 

Shangri La Buy link:   http://smarturl.it/ishangrila

 

 

 

 

 

 

 

 

 

 

 

 

 

Live at Silver Platters Tracklist:

 

There’s A Beast & We All Feed It

 

Trouble Town

 

Lightning Bolt

 

Storm Passes Away

 

 

 

 

 

 

 

ABOUT JAKE BUGG:

 

SHANGRI LA

 

 

 

There are lightning bolt moments in the career of every artist when their fame is thrown into

 

sharp relief. For 19-year-old Jake Bugg it happened in the summer of 2013 before 17,000

 

people at the Splendour festival in his home town of Nottingham. Two years earlier, the

 

unknown and unsigned Bugg had been the opening act there on the smallest stage. Now he

 

returned as victorious local hero and main headliner. Looking out into the crowd he noticed a

 

familiar face. A girl in his class at school who, once upon a lunch break, had told him “I’ll

 

never listen to your kind of music because I don’t like it.” The same girl who was now

 

bouncing aloft on male shoulders, singing her head off to every word falling from Bugg’s lips.

 

“It was funny,” he says, “but also a bit of a mad realisation.”

 

 

 

Such is the “mad” nature of this Bugg’s life since last October’s self-titled debut album

 

entered the charts at number one, announcing one of the most electrifying young British

 

singer-songwriters to emerge in recent memory. In its wake have come multiple award

 

nominations including BRIT, Ivor Novello and Mercury Music Prize, prestigious supports with

 

Noel Gallagher, The Stone Roses and The Rolling Stones and a euphoric globetrotting

 

summer from Glastonbury to Japan, Australia and America. “I’ve had an amazing year,” says

 

Bugg. “A lot of crazy experiences. Glastonbury alone, just being on stage and looking out

 

and realising all those thousands of people were standing there to see me. It blew my mind.”

 

 

 

Any other teenage artist in his position would be forgiven for spending another 18 months

 

lapping up the adoration and resting on their laurels. But then Jake Bugg isn’t any other

 

teenage artist. Barely a year after his debut, in November 2013 he returns with its bar-raising

 

follow-up, Shangri La. The album shares a title with the Malibu studio where it was made,

 

once the 70s haven of Bob Dylan and The Band, now the creative hub of legendary

 

producer Rick Rubin, the recording Titan whose jawdropping c.v. spans from Def Jam and

 

Johnny Cash to Adele and Kanye West. Rubin first worked with Bugg earlier in the year on a

 

re-recording of haunting debut album ballad Broken. Jake confesses the secret to their

 

musical bond was his relative ignorance of Rubin’s track record. “It might sound daft that I

 

didn’t know much about him,” he laughs, “but it allowed me to build a friendship with Rick

 

without being in awe of him.” Rubin, in turn, was so enamoured with Jake that his original

 

offer to come back and demo two songs flourished into a whole album. “I called the album

 

Shangri La because it means a place of peacefulness and that’s exactly what Rick’s place

 

feels like,” he adds. “Some people really worry about their second album. I’ve worked hard

 

on it, but at the same time making this record has been like a holiday. Creatively, you can’t

 

help but feed off the studio’s therapeutic atmosphere.”

 

 

 

Rubin’s assembled wrecking crew of Shangri La session regulars includes guitarist Matt

 

Sweeney (Bonnie ‘Prince’ Billy, Neil Diamond, Endless Boogie), bassist Jason Lader (The

 

Mars Volta) and drummers Chad Smith (Red Hot Chili Peppers) and Pete Thomas (Elvis

 

Costello). Yet for all its stellar cast and production kudos, the real star of Shangri La is,

 

unquestionably, Bugg himself. “They’re great, experienced musicians and they all bring their

 

own ideas to each song,” he explains. “But it was a case of me letting them experiment and

 

then telling them what I did or didn’t like. From the off, I went in with a strong idea of how the

 

album should sound and I stayed true to that.”

 

 

 

Nottingham, Shangri La runs further and faster with the gritty urgency of Kingpin, Slumville

 

Sunrise and mighty opener What Doesn’t Kill You. “That song was written after my mate

 

Olly and myself were in Germany and came out of some place,” recalls Bugg. “These guys

 

asked if he wanted to buy some stuff, he went off with them and when he came back he’d

 

been robbed. It wasn’t a big thing, and where I’m from that happens all the time. But it sort of

 

taught me that wherever you are in the world, that kind of thing goes on. So it was a small

 

event for me and him, but the song itself is a large message.”

 

 

 

The album’s rich seam of classic guitar pop stretches deeper still on the irresistibly romantic

 

Me And You and the exhilarating Messed Up Kids. “I feel like I’m fortunate to live my dream

 

and do what I love,” says Bugg, “so I wanted to sing about real stuff that happens. I did it a

 

lot on the first album but when I went back to Clifton not much has changed. There’s still the

 

same problems and some aspects of it are even worse. So Messed Up Kids and some of

 

the others on this album are just me going back and taking a last look at where I’m from. But

 

the point of the song is there are messed up kids everywhere, not just Clifton.”

 

 

 

Such breakneck moments are tempered by Bugg’s ever-broadening musical palette, from

 

the stripped-down folk of Pine Trees to the Crazy Horse squeal of All Your Reasons, the

 

country swing of Storm Passes and the slapback rockabilly hysteria of Beast which

 

magically invokes the spirit of Sun Studios in Memphis where Bugg first demoed it. Yet

 

scratch beneath Shangri La’s surface sound and fury and at its core we find an emotional

 

depth and soul-baring honesty that place Bugg in a different league from his peers. Listen to

 

the open heartache of the delicate Pretty Lady or the howling tour-de-force Simple

 

Pleasures (Rubin’s personal favourite) and remind yourself that Bugg is still only 19 yearsold.

 

Or swoon at Song About Love and try and picture how many festival fields will be

 

hollering themselves hoarse to its soaring chorus come the summer of 2014. Collectively

 

these dozen tracks see Bugg strolling with effortless grace towards his ever-nearing horizon

 

signposted ‘Classic Songwriter’. “I’m just pleased I managed to get 12 songs together so

 

quickly that I feel are good enough,” says Bugg with characteristic modesty. “I always

 

thought it would be a nice idea to have two albums before I turned 20. I’m proud I’ve done

 

that.”

 

 

 

Asked to compare Shangri La with its predecessor, Bugg concludes: “My first album felt like

 

a list of songs, whereas this one feels like a whole entity with something to say. Or if my first

 

album was the colour of grey reality, this one’s the colour of the sun.” The colour of our

 

planet’s nearest star. Or maybe the sound of a new star intensifying their musical colours.

 

Listening to his second album you dare to wonder where a talent like Jake Bugg could find

themselves in ten years’ time. His prediction: “Up front for England.”

Print Friendly, PDF & Email

About the author

Free Newsletter Updated Daily