Gotham Chamber Opera and the Jarvis & Constance Doctorow Family Foundation award David Hertzberg the Catherine Doctorow Prize for Music

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Gotham Chamber Opera and
the Jarvis & Constance Doctorow Family Foundation

award David Hertzberg the

Catherine Doctorow Prize for Music

Gotham Chamber Opera and the Jarvis & Constance Doctorow Family Foundation are proud to announce that David Hertzberg will be the inaugural winner of the Catherine Doctorow Prize for Music, a competitive prize awarded to a composer to support the creation of a new concert work for voice and chamber ensemble.  For more information on the award and its requirements, visit www.gothamchamberopera.org/registration. The Prize Jury found Mr. Hertzberg’s music to offer “an extraordinarily beautiful sound world with a unique and distinguishing vocabulary,” containing “deeply affecting emotional content,” and felt that Mr. Hertzberg has the potential to contribute a new work of substance to the concert repertoire for voice.

The Catherine Doctorow Prize for Music is a new award of $15,000 to a composer for the creation of a new concert work for solo voice and chamber ensemble of between 3 and 10 acoustic instruments and between 15 and 30 minutes in length. Given the inherent challenges of writing idiomatically for the human voice, a goal of the competition is to successfully enlarge the repertoire of concert works for voice and instruments. Mr. Hertzberg’s completed work will be premiered in a concert presented under the aegis of Gotham Chamber Opera. Additional funding for the premiere is generously provided by the Hegardt Foundation.

David Hertzberg was born in 1990 and holds Bachelor and Master of Music degrees from the Juilliard School, where he studied with Samuel Adler. He is currently pursuing an Artist Diploma at The Curtis Institute of Music, studying with Jennifer Higdon, and has also studied at the the Internationale Ferienkurse für Neue Musik, Darmstadt, the Freie Universität, Berlin, and the Aspen Music Festival, where he studied with George Tsontakis. He was also a fellow at the European American Musical Alliance in Paris and The Swedish Collegium for Advanced Study in Uppsala, where he studied with Anders Hillborg and Steven Stucky. In the summer of 2013 he completed a residency at Yaddo and was an inaugural participant in the Santa Fe Chamber Music Festival’s Young Composer Program. In the summer of 2014 he will be a fellow at the Tanglewood Music Center. In 2011, David received the Arthur Friedman Prize from The Juilliard School for composing the score deemed most outstanding in their annual competition for orchestral works. Shortly afterwards, he received the 2011 William Schuman Prize from BMI, another prize awarded to the most distinguished submission in their annual composer awards. In 2012, he was awarded a Charles Ives Scholarship from the American Academy of Arts and Letters, an ASCAP Morton Gould Young Composer Award, an Aaron Copland Award from Copland House, and a Jerome Fund Commission from the American Composers Forum. He was also named Composer-In-Residence for Young Concert Artists, a post which he will hold through 2014.

Jury for the inaugural round of the Catherine Doctorow Prize for Music:

Yves Abel: conductor; Chief Conductor Designate 2015, Nordwest Deutsche Philharmonie; Music Director, L’Opéra Français de New York; Former Principal Guest Conductor, Deutsche Oper Berlin

David Bennett: Executive Director, Gotham Chamber Opera; Vice-Chair, Opera America Board of Directors

Kevin Burdette: bass; principal artist (Metropolitan Opera, Santa Fe Opera, Teatro Colón) and soloist (Chicago Symphony Orchestra, Los Angeles Philharmonic, Philharmonia Orchestra), world premieres with Santa Fe Opera, Gotham Chamber Opera, and Boston Lyric Opera.

Neal Goren: conductor; Founding Artistic Director, Gotham Chamber Opera

Nancy Allen Lundy: soprano; New York City Opera; Houston, Netherlands, La Scala, Lyon, English National, Vancouver Opera companies; soloist, Montreal Philharmonic, Philadelphia Orchestra, NHK Symphony, Tokyo.

Sato Moughalian: flutist; Principal Flute, Gotham Chamber Opera, Perspectives Ensemble, L’Opéra Français de New York American Modern Ensemble; Artistic Director, Perspectives Ensemble; consultant, Gotham Chamber Opera

Alan Pierson: conductor; Artistic Director, Alarm Will Sound; former Artistic Director, Brooklyn Philharmonic.

Catherine Doctorow was a serious and prolific painter whose work, in a contemporary idiom, flourished in the 1950s and ’60s. The Catherine Doctorow Prize for Music is the third of three major recurring prizes to be established by her family and the Jarvis and Constance Doctorow Family Foundation to honor and perpetuate Doctorow’s love of innovative literary fiction, the visual arts, and music.

Jarvis & Constance Doctorow Family Foundation

The Mission of the Jarvis & Constance Doctorow Family Foundation is to nurture individuals and communities through the support of arts and mental health programs. The Foundation’s Funding Philosophy is to support projects that focus on the provision of mental health services as well as organizations focused on performance, literary, and visual arts. JCDFF funds organizations that maintain a standard of excellence throughout the range of their work.

Gotham Chamber Opera is the nation’s leading opera company dedicated to vibrant, fully staged productions of works intended for intimate venues. Its high quality presentations of small-scale rarities from the Baroque era to the present have earned Gotham an international reputation and unanimous critical praise.

Founded by conductor and Artistic Director Neal Goren, Gotham debuted in 2001 with the American premiere of W.A. Mozart’s Il sogno di Scipione. In subsequent seasons, the company has produced many more local and world premieres, including Bohuslav Martinu’s Les Larmes du Couteau and Hlas Lesa (U.S. premiere 2002); Heinrich Sutermeister’s Die schwarze Spinne (U.S. premiere 2004); G.F. Handel’s Arianna in Creta (U.S. stage premiere 2005); Ottorino Respighi’s La bella dormente nel bosco (U.S. premiere 2005); Ariadne Unhinged, with music by Claudio Monteverdi, Joseph Haydn, and Arnold Schoenberg (World premiere 2008); Hadyn’s L’isola disabitata (New York stage premiere 2009); Xavier Montsalvatge’s El Gato con Botas (U.S. stage premiere 2010); Nico Muhly’s Dark Sisters (World premiere 2011); Lembit Beecher’s I Have No Stories To Tell You (World premiere 2014); and Toshio Hosokawa’s The Raven (U.S. premiere 2014).

Gotham has partnered with notable New York and national institutions, including Lincoln Center Festival and Spoleto USA (La bella dormente nel bosco) in 2005; the Morgan Library and Museum for Scenes of Gypsy Life (an evening of song cycles by Janáček and Dvořák) in 2008; the American Museum of Natural History and the American Repertory Theater for Hadyn’s Il mondo della luna (2010); Brooklyn Botanic Garden and the Broad Stage, Los Angeles for Daniel Catán’s La hija de Rappaccini (Rappaccini’s Daughter, 2013); Trinity Church Wall Street for Marc-Antoine Charpentier’s La descente d’Orpheé aux enfers (2013); The Metropolitan Museum of Art for Monteverdi’s Il combattimento di Tancredi e Clorinda and Beecher’s I Have No Stories To Tell You (2014); and the New York Philharmonic for Hosokawa’s The Raven (2014).

Gotham has earned a reputation for showcasing outstanding young singers alongside established directors and choreographers such as Mark Morris (the 2009 production of Hadyn’s L’isola disabitata), David Parsons (the New York stage premiere of Astor Piazzola’s tango opera, María di Buenos Aires), Karole Armitage (the world premiere of Ariadne Unhinged), Basil Twist (La bella dormente nel bosco), Robin Guarino (Gioachino Rossini’s Il signor Bruschino and Il combattimento di Tancredi e Clorinda/I Have No Stories to Tell You), Christopher Alden (Il sogno di Scipione and Arianna in Creta), Diane Paulus (Il mondo della luna), Moisés Kaufmann (El gato con botas), and Rebecca Taichman (Dark Sisters and La hija de Rappaccini.)

In recent years, Gotham Chamber Opera has been recognized as a pioneer in creating opera productions in alternative venues, beginning in 2010 with its production of Haydn’s Il mondo della luna at the Hayden Planetarium, followed in 2013 with the U.S. professional stage premiere of Francesco Cavalli’s Eliogabalo at New York’s notorious late night club The Box, Catán’s La hija de Rappaccini on the Cherry Esplanade of Brooklyn Botanic Garden and at the Greystone Manor in Beverly Hills, and the double-bill of Monteverdi’s Il combattimento di Tancredi e Clorinda in the Metropolitan Museum of Art’s Bloomberg Arms and Armor Gallery and Beecher’s I Have No Stories to Tell You in the Medieval Court.

For more information, visit www.gothamchamberopera.org.

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