FULL COMPANY ANNOUNCED FOR DAVE WITH BOOK BY THOMAS MEEHAN AND NELL BENJAMIN, MUSIC BY TOM KITT AND LYRICS BY NELL BENJAMIN UNDER THE DIRECTION OF TINA LANDAU

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FULL COMPANY ANNOUNCED FOR DAVE
WITH BOOK BY THOMAS MEEHAN AND NELL BENJAMIN,
MUSIC BY TOM KITT AND LYRICS BY NELL BENJAMIN
UNDER THE DIRECTION OF TINA LANDAU

MAMIE PARRIS, JOSH BRECKENRIDGE, RACHEL FLYNN AND BRYONHA MARIE PARHAM
AMONG CAST JOINING PREVIOUSLY ANNOUNCED DREW GEHLING
IN WORLD-PREMIERE MUSICAL

AT ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER
JULY 13- AUGUST 19, 2018

(Washington, D.C.) Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Director Edgar Dobie, announces the full cast and creative team for Dave. By three-time Tony Award winner Thomas Meehan (Annie, Hairspray, The Producers), two-time Tony Award nominee Nell Benjamin (Mean Girls, Legally Blonde) and Pulitzer Prize and two-time Tony Award winner Tom Kitt (Next to Normal, If/Then), Dave is inspired by the Academy Award-nominated American political comedy film. The world-premiere engagement is produced by special arrangement with Warner Bros. Theatre Ventures, The Donners’ Company and Larger Than Life. Under the direction of Tony Award nominee Tina Landau, and with choreography by Tony Award nominee Sam Pinkleton and music direction by Rob Berman, Dave runs July 13-August 19, 2018 in the Kreeger Theater.

As previously announced, Drew Gehling (Broadway’s Waitress) will play both President Bill Mitchell and the title role of Dave. Gehling is joined by Mamie Parris (Broadway’s Cats, School of Rock) as First Lady Ellen Mitchell, Josh Breckenridge (Broadway’s Come From Away), Rachel Flynn (Off-Broadway’s Heathers the Musical), Bryonha Marie Parham (Broadway’s Prince of Broadway) and Jonathan Rayson (Broadway’s Little Shop of Horrors).

Rounding out the company are Jenny Ashman (Kansas City Repertory’s Evita), Jared Bradshaw (Broadway’s Charlie and the Chocolate Factory), Dana Costello (Jekyll and Hyde national tour), Trista Dollison (Broadway’s Charlie and the Chocolate Factory), Sherri L. Edelen (Arena Stage’s Vanya and Sonia and Masha and Spike), Kevin R. Free (The Neo-Futurists’ Too Much Light Makes the Baby Go Blind), Erin Quill (Broadway’s Avenue Q), Jamison Scott (Broadway’s Motown the Musical) and Vishal Vaidya (Broadway’s Groundhog Day).

The creative team for Dave also includes scenic design by Tony Award nominee Dane Laffrey; costume design by two-time Tony Award nominee Toni-Leslie James; lighting design by five-time Tony Award nominee Japhy Weideman; sound design by Tony Award nominee Walter Trarbach; projection design by Drama Desk Award winner Peter Nigrini; and casting by Telsey + Company/Patrick Goodwin, CSA.

“While in D.C. for Mean Girls, I went to the Smithsonian’s exhibit on ‘American Democracy: A Great Leap of Faith’ and thought, ‘This is it. This is Dave: it’s about the leap of faith Americans take, letting people just like us govern us,’” says Nell Benjamin. “Of course, it’s going to have insane repercussions, but in some cases, it’s going to bring out the best in people. We want to come with a show that celebrates that leap of faith. It’s a love story for our fellow Americans. It’s more than a little nerve-wracking to bring a political story to Washington, D.C., but there’s no other place to bring it! It’s a joy to work with Tom Kitt; his fierce talent brings joy into the room and he takes impossible issues and ideas and makes them sing. Tina Landau is endlessly inventive, and she’s great at saying something without lecturing, which is exactly what a good musical should do.”

“I am so thrilled to be working on Dave, the musical, a film I have loved since the first time I saw it,” shares Tom Kitt. “Gary Ross’ funny, touching, and moving screenplay speaks to me on a very personal level and it has been so rewarding for me to put my voice into the world he created.  I feel so lucky to be back at Arena Stage collaborating with Molly Smith and her wonderful team, and to be working alongside Tina Landau, Nell Benjamin and an extraordinary group of designers in bringing this story to the stage.”

Thomas Meehan (Book Writer), a three-time Tony Award-winning book writer for the Broadway musicals Annie, The Producers (co-written with Mel Brooks) and Hairspray (co-written with Mark O’Donnell), wrote over a dozen Broadway musicals including I Remember Mama; Cry Baby (co-written with Mark O’Donnell); Young Frankenstein (co-written with Mel Brooks); Elf (co-written with Bob Martin);  Rocky, The Musical; the up-coming Dave (co-written with Nell Benjamin); and Off-Broadway Death Takes a Holiday. Mr. Meehan was a long-time contributor of humor pieces to The New Yorker, most notably Yma, Ava, Yma, Abba, Yma, Oona, Yma, Aga …and Others. He was the co-librettist (with J. D. McClatchy) of the Lorin Maazel opera 1984, and an Emmy Award-winning writer of television comedy. His screenplays include One Magic Christmas, Annie and a collaboration with Mel Brooks on Spaceballs and To Be or Not to Be. He was a member of the Council of the Dramatists Guild. He was working on several new musicals when he passed away at the age of 89 on August 22, 2017.

Nell Benjamin (Book Writer/Lyricist) co-wrote the score to the musical Legally Blonde with her husband, Laurence O’Keefe. Nell and Larry have also written Huzzah! and Life of the Party. Nell has written the book and/or lyrics for Mean Girls; Halftime; Because of Winn Dixie; Pirates! (or Gilbert and Sullivan Plunder’d); Sarah, Plain and Tall; Cam Jansen; I Want My Hat Back; How I Became a Pirate; and The Mice. She has written a play, The Explorers Club, as well as the New York Philharmonic New Year’s Eve and Young Peoples’ concerts. TV credits include Unhappily Ever After; Whoa! Sunday with Mo Rocca; the new Electric Company; Best Time Ever with Neil Patrick Harris; Ant & Dec’s Saturday Night Takeaway; and Julie’s Greenroom. She is the grateful recipient of a Kleban Foundation Award and a Jonathan Larson Foundation Grant, and is a member of ASCAP and the Dramatists Guild of America.

Tom Kitt (Composer/Arranger/Orchestrator/Music Supervisor) received the 2010 Pulitzer Prize for Drama, as well as two Tony Awards for Best Score and Best Orchestrations for Next to Normal. Next to Normal also received the Outer Critics Circle Award for Outstanding New Score. He is also the composer of If/Then (Tony nomination, Outer Critics nomination, Broadway); High Fidelity (Broadway); Bring it On, The Musical (co-composer with Lin-Manuel Miranda, Broadway); Disney’s Freaky Friday; The Winter’s Tale, All’s Well That Ends Well and Cymbeline (The Public’s NYSF); From Up Here and The Madrid (MTC); Orphans (Broadway); The Retributionists (Playwrights Horizons); and As You Like It (Toho Co., Japan). Tom is the music supervisor, arranger, orchestrator and composer of additional music for SpongeBob Squarepants: The Broadway Musical.  In addition, he is the music supervisor for the new NBC drama, Rise, and was responsible for the music supervision, arrangements and orchestrations for Grease Live! and Green Day’s American Idiot on Broadway. His work with Green Day also includes additional arrangements for their Grammy Award-winning album 21st Century Breakdown and their album trilogy, ¡Uno! ¡Dos! ¡Tré! Tom received an Emmy Award as co-writer (with Lin-Manuel Miranda) for the 2013 Tony Awards opening number, Bigger. Other TV songwriting credits include a musical episode of Royal Pains, and songs for Penny Dreadful, Sesame Street and Julie’s Greenroom. As a musical director, conductor, arranger and orchestrator, credits include the Pitch Perfect films, 2Cellos featuring Lang Lang (Live and Let Die), The Kennedy Center Honors, 13, Debbie Does Dallas, Everyday Rapture, Hair, Laugh Whore, Pippin (Deaf West) and These Paper Bullets.

Tina Landau (Director) is a writer and director whose work has been produced on Broadway and Off-Broadway, internationally and regionally, and most frequently at Steppenwolf Theatre where she is an ensemble member. Broadway credits include SpongeBob Squarepants: The Broadway Musical (also conceiver), Tracy Lett’s Superior Donuts and the revival of Bells Are Ringing. Off-Broadway credits include Old Hats, Big Love and Iphigenia 2.0 (Signature Theatre); A Civil War Christmas (NYTW); Wig Out! (Vineyard Theatre); and the musicals Floyd Collins (Playwrights Horizons) and Dream True (Vineyard Theatre), both of which she co-wrote. Steppenwolf productions include Head of Passes (also The Public, Mark Taper Forum, Berkeley Repertory), The Brother/Sister Plays, The Wheel, The Tempest, Time of Your Life (also ACT Seattle), The Cherry Orchard, The Diary of Anne Frank, Ballad of Little Jo, Berlin Circle, and her own play, Space (also The Public, Mark Taper Forum). Regionally, Tina’s productions include Sycamore Trees (Signature Theatre VA), Antony and Cleopatra (Hartford Stage) and A Midsummer Night’s Dream (McCarter, Paper Mill). Tina teaches regularly and co-authored The Viewpoints Book with Anne Bogart.

Cast Biographies (in alphabetical order)
Jenny Ashman
(Ensemble/Partial Swing) makes her Arena Stage debut. Originally from Alaska, Jenny most recently starred in the world-premiere of Paris Time at Capital Repertory. Off-Broadway and regional credits include Eva Peron in Evita (Kansas City Repertory and Opera North), Side by Side by Sondheim (Kansas City Repertory), Arista in Disney’s The Little Mermaid (Hollywood Bowl), Sleep No More, Johanna in Sweeney Todd (Ovation Award nomination), Rosalind in As You Like It, Penny in the world-premiere Romance Language, Meg in Little Women and Rhoda in A New Brain. Jenny is a graduate of UCF Conservatory Theatre. www.jennyashman.com

Jared Bradshaw (Ensemble/Partial Swing) is thrilled to join Dave after spending the last year on Broadway in Charlie and the Chocolate Factory where he appeared nightly as reporter Jerry Jubilee, understudied Christian Borle and appeared as Willy Wonka on the Tony Awards. Previously, Jared performed for eight years in Jersey Boys, playing all 10 featured roles in the show on Broadway and the national tour. Jared spent three years at Forbidden Broadway (cast album) playing every other role from the Phantom to Jean Valjean. Favorite credits include The Last Five Years, The Music Man and Jekyll and Hyde. Upcoming credits include Leo Frank in Jason Robert Brown’s Parade in Marietta, GA, and continuing concert work in Bing Crosby: Swinging on a Star. Much love to wife Lindsay Northen at Wicked, and sweet daughter Georgia. Instagram: @bwaymjjared www.jaredbradshaw.com

Josh Breckenridge (Duane Bolden) last appeared in the D.C.-area as the Doctor in The Book of Mormon (first national tour) at the Kennedy Center. Broadway credits include Come From Away, The Scottsboro Boys and The Ritz. Off-Broadway credits include The Scottsboro Boys and Saved. Regional credits include Sunday in the Park with George (Huntington Theatre), The Whipping Man (Kansas City Repertory), Tales of the City (American Conservatory Theater), The Scottsboro Boys (Guthrie Theater), Hairspray (Marriott Theatre), Smokey Joe’s Cafe (The Cape Playhouse), High School Musical 2 and Dreamgirls (North Carolina Theatre) and Memphis (La Jolla Playhouse, 5th Avenue Theatre). He appeared in the film Finding Me: Truth and received his B.F.A. from Cincinnati’s College-Conservatory of Music. Instagram: @josh.breckenridge

Dana Costello (Ensemble) makes her Arena Stage debut and last appeared in D.C. at the Kennedy Center as Nellie in the national tour of Jekyll and Hyde. Her Broadway credits include Mary Barrie in Finding Neverland and Nellie in Jekyll and Hyde. Dana has performed all over (from Broadway to Off-Broadway to waaaaaaay Off-Broadway) and is thrilled to be back in D.C. at Arena Stage! She thanks Patrick at Telsey and her agents Chad and Alex at Henderson Hogan. Twitter/Instagram: @Dana_Coz www.dana-costello.com

Trista Dollison (Ensemble) makes her Arena Stage debut! Trista was last seen playing Violet in Charlie and the Chocolate Factory on Broadway. Other Broadway credits include Frieda in A Bronx Tale, Disney’s The Lion King and Avenue Q. New York and regional credits include Frieda in the world-premiere of A Bronx Tale; Keisha in Soul on Fire (the Kennedy Center); Deloris in Sister Act; Faust (NY City Center); and Lorrell in Dreamgirls. She is a proud member of Broadway Inspirational Voices. She would like to give special thanks to Clarence, Mommy, Daddy, friends & friends. Grateful. Psalm 37:4. Twitter/Instagram: @TRISTADOLL www.facebook.com/TristaDoll

Sherri L. Edelen (Ensemble/Mrs. Smit) last appeared at Arena Stage in Vanya and Sonia and Masha and Spike. She received a Helen Hayes Award for Les Miserables and Side Show at Signature Theatre, and a Barrymore Award for The Light in the Piazza at Philadelphia Theatre Company. Her most recent credits include Copenhagen (Theater J), Romeo and Juliet (Folger Theatre), Outside Mullingar (Fusion Theatre Company) and Gypsy (Signature Theatre). National tours include Me and My Girl and Nunsense.  She has performed locally at the Kennedy Center, Shakespeare Theatre Company, Olney, Ford’s Theatre, Round House and Rep Stage for over 20 years. Directing credits include Steel Magnolias and On Golden Pond starring Joyce DeWitt at Riverside Center for the Performing Arts.

Rachel Flynn (Ensemble/Randi) is thrilled to be making her Arena Stage debut in Dave. She originated the role of Stoner Chick in Off-Broadway’s Heathers the Musical, vomited fake blood onto the guitars of the Yeah Yeah Yeah’s in St. Ann’s Stop the Virgens and championed feminism through glitter and hair jewels in Baby No More Times (Ars Nova, The Lark). Regional acting and directing credits include work with Williamstown Theatre Festival, Shakespeare & Company, Human Race Theatre and American Repertory Theater. She is the artistic director of At the Table Podcast and librettist/co-conceiver of the upcoming punk musical PATRIARCHY. Thanks to ATB, Mom, Dustin and her own personal hero named Dave: Dave Flynn. Twitter and Instagram: @radiofreerachel

Kevin R. Free (Ensemble/Murray) is so excited to make his Arena Stage debut! His New York credits include Too Much Light Makes the Baby Go Blind; CasablancaBox; The Fantasticks; and Night of the Living N-Word!! (FringeNYC, Overall Excellence in Playwriting). Regional acting credits include The Parchman Hour (Guthrie); Boys From Syracuse (Baltimore Center Stage); A Single Shard (People’s Light); and Angels in America (Charlotte Repertory). TV/film credits include Blindspot, Law & Order and Eighth Grade, and he is the co-creator and star of the award-winning web series Gemma & The Bear. Kevin has voiced over 300 audiobooks and is the voice of Kevin from Desert Bluffs on the podcast Welcome to Night Vale. Awards include an Obie as producer of The Fire This Time Festival, and Doric Wilson Independent Playwright Award. @kevinrfree www.kevinrfree.com

Drew Gehling (Dave Kovic/President Bill Mitchell) is best known for originating the role of Dr. Pomatter in the Tony Award-nominated musical Waitress. Most recently he starred in the pre-Broadway tryout of the new musical Roman Holiday. Previous Broadway credits include On a Clear Day You Can See Forever and Jersey Boys. Off-Broadway credits include Lexy in A Minister’s Wife (Lincoln Center); Sistrom in Billy & Ray (Vineyard Theatre); I Believe (Lincoln Center); and Gilbert Blythe in Anne of Green Gables (Lucille Lortel Theater). Film/TV credits include Unbreakable Kimmy Schmidt (Netflix), Dietland (AMC), Succession (HBO), Elementary30 Rock, Muhammad Ali’s Greatest Fight, Smash, The Daily Show and Unsung Carolyn Leigh (Live from Lincoln Center). Regional credits include Johnny Baseball (A.R.T.); Moby Dick, Jersey Boys, Hello Dolly (Paper Mill); and Utah Shakespeare. Workshops include American Psycho, The Searchers, Big Fish and Sunset Boulevard. Drew is a graduate of Carnegie Mellon University.

Bryonha Marie Parham (Susan Lee) makes her Arena Stage debut! Bryonha was last seen in D.C. at the Kennedy Center in Ragtime and went on to reprise her role as Sarah’s friend in the Broadway transfer. Other Broadway credits include Prince of Broadway, Book of Mormon, After Midnight and The Gershwins’ Porgy & Bess. She is also making a name in the classical world, appearing in Bernstein’s Mass with the Philadelphia Orchestra (recorded by Deutsche Grammophon); Sweeney Todd and Showboat at Lincoln Center with the New York Philharmonic; and most recently in Candide at Carnegie Hall. Her numerous regional credits include Dreamgirls (North Shore), Little Shop of Horrors (Berkshire Theatre), Hair (SMC), Fulton Theatre, MSMT and many more. Bryonha’s TV credits include Madam Secretary, Today and the 66th and 68th Tony Awards. Instagram: @BryonhaMarie

Mamie Parris (Ellen Mitchell) is delighted to make her Arena Stage debut. She most recently starred on Broadway in Cats, singing “Memory” nightly as Grizabella, and previously originated the role of Patty in Andrew Lloyd Webber’s School of Rock. Other Broadway and national tour credits include On the 20th Century, Wicked, Ragtime, 9 To 5, The Drowsy Chaperone, 110 in the Shade and Legally Blonde. Off-Broadway credits include Pump Boys and Dinettes (Encores) and See Rock City (Transport Group). Mamie has performed at Goodspeed, The Muny, The Macau International Music Festival and others. TV/film credits include The Blacklist, State of Affairs and A Stand Up Guy. The New York Times calls her “winsome”, which is nice, and her husband calls her “sweetheart”, which is nicer. She’s political, she’s opinionated, and she’s on Twitter: @mamieparris and Instagram: @mamierocks

Erin Quill (Ensemble) makes her Arena Stage debut and holds a B.F.A. from CMU. Credits include Avenue Q (original Broadway company), Madame Rita in Flower Drum Song (AMTSJ’s 50th Anniversary company) and Lady Thiang in The King & I (West Coast tour with Debby Boone). TV credits include Damages, Nurse Jackie, The Following, NY 22, LFE (CBS pilot), NYPD Blue and Dishin’ (Bravo pilot). Film credits include Man on a Ledge, Screening Party and The Mikado Project. She thanks the creative team of Dave, The Luedtke Agency, Benjamin Rauhala and her family, whose support means everything. Follow her musings on Twitter: @EQuill

Jonathan Rayson (Ensemble/Vice President Gary Nance) is proud to be making his Arena Stage debut! Jonathan appeared on Broadway in Little Shop of Horrors (Seymour) and A Year with Frog and Toad. He traveled with the first national tours of Little Shop of Horrors (Seymour) and Legally Blonde. New York credits include I Love You, You’re Perfect… and Adrift in Macao. A few of his favorite regional credits are Dan in Next to Normal (Pioneer Theatre Company), Mr. Banks in Mary Poppins (Ogunquit Playhouse), The Full Monty (Fulton Theatre) and Carousel (Goodspeed). Jonathan recently made his TV debut on Law & Order: SVU and can be seen in the new series After Forever on Amazon. His solo CD of ’70s cover songs, Shiny and New, is available on iTunes. www.jonathanrayson.com

Jamison Scott (Ensemble) makes his Arena Stage debut. Broadway credits include Motown, Spider-Man: Turn Off the Dark, Memphis and Grease! Touring and regional credits include Motown, Grease!, Hairspray, We Will Rock You, Saturday Night Fever and Altar Boyz. Recordings include Hairspray movie, Killer Queen – A Tribute to Queen, Grease! (original cast album) and Walk a Mile (solo debut). TV/web series credits include Sillyocity featured on Youtube.com, and the 62nd and 65th Tony Awards. Thanks to Kevin and everyone at Buchwald & Associates. To God be the glory! ILYHMS @JamisonScottR www.thejamisonscott.com

Vishal Vaidya (Ensemble) makes his Arena Stage debut. A D.C.-area native, Vishal has also appeared in Spelling Bee and A Christmas Carol (Ford’s Theater), The Secret Garden (Shakespeare Theater Company), A Year with Frog and Toad (Adventure Theater, Helen Hayes nominee) and Barrio Grrrl! (the Kennedy Center), and productions at Olney Theater Center and Toby’s Dinner Theater. He made his Broadway debut last year in Groundhog Day. Regional credits include Cincinnati Playhouse, Minneapolis Children’s Theater Company, Baltimore Center Stage and New York Stage and Film. Instagram: @Vishgram, Twitter: @TweetsByVish

For full company bios please visit arenastage.org/shows-tickets/the-season/productions/dave.

Dave is generously sponsored by Margot Kelly.

Post-Show Conversations
Connect with our shows beyond the performance at a post-show conversation with artists and staff, August 7 following the 7:30 p.m. performance and August 16 following the 8:00 p.m. performance.

Production Information:
Dave
based on the Warner Bros. motion picture written by Gary Ross
by special arrangement with Warner Bros. Theatre Ventures, The Donners’ Company and Larger Than Life
Book by Thomas Meehan and Nell Benjamin, Music by Tom Kitt and Lyrics by Nell Benjamin
Directed by Tina Landau
Choreographed by Sam Pinkleton
Music Direction by Rob Berman
In the Kreeger Theater / July 13-August 19, 2018

ABOUT: From a Tony and Pulitzer Prize award-winning creative team comes the world-premiere musical comedy Dave, adapted from the Oscar-nominated film. Dave tells the story of high school teacher (and presidential lookalike) Dave Kovic, who is hired by the Secret Service as a stand-in for the Commander-in-Chief. When the President falls ill under less than “presidential” circumstances, Dave is thrust into the Oval Office to avoid a national scandal, and must find a way to gain the trust and love of the American people … and the First Lady.

CAST:
Ensemble/Partial Swing: Jenny Ashman
Ensemble/Partial Swing: Jared Bradshaw
Duane Bolden: Josh Breckenridge
Ensemble: Dana Costello
Ensemble: Trista Dollison
Ensemble/Mrs. Smit: Sherri L. Edelen
Ensemble/Randi: Rachel Flynn
Ensemble/Murray: Kevin R. Free
Dave Kovic/President Bill Mitchell: Drew Gehling
Susan Lee: Bryonha Marie Parham
Ellen Mitchell: Mamie Parris
Ensemble: Erin Quill
Ensemble/Vice President Gary Nance: Jonathan Rayson
Ensemble: Jamison Scott
Ensemble: Vishal Vaidya
Additional casting to be announced.

CREATIVE TEAM:
Book: Thomas Meehan and Nell Benjamin
Composer/Arranger/Orchestrator/Music Supervisor: Tom Kitt
Lyrics: Nell Benjamin
Director: Tina Landau
Choreographer: Sam Pinkleton
Music Director: Rob Berman
Set Designer: Dane Laffrey
Costume Designer: Toni-Leslie James
Lighting Designer: Japhy Weideman
Sound Designer: Walter Trarbach
Projection Designer: Peter Nigrini
Associate Director: Kenneth Ferrone
Associate Choreographer: Mayte Natalio
Associate Music Director: William Yanesh
Casting By: Telsey + Company/Patrick Goodwin, CSA

Plan Your Visit
TICKETS:
Tickets for Dave are $40-$90, subject to change and based on availability, plus applicable fees. For information on savings programs such as Pay-Your-Age tickets, student discounts, Southwest Nights and Hero’s Discounts, visit arenastage.org/shows-tickets/single-tickets/savings-programs/.

Tickets may be purchased online at arenastage.org, by phone at 202-488-3300 or at the Sales Office at 1101 Sixth St., SW, D.C.

Sales Office/Subscriptions: 202-488-3300
Group Sales Hotline for 10+ Tickets: 202-488-4380
TTY for deaf patrons: 202-484-0247
Info for patrons with disabilities: 202-488-3300

PERFORMANCE DATES:
Sunday, Tuesday & Wednesday at 7:30 p.m.
Thursday, Friday & Saturday at 8:00 p.m.
Saturday & Sunday at 2:00 p.m.
Weekday matinee at 1:00 p.m. on Thursday, 8/2

Full calendar: tickets.arenastage.org/single/PSDetail.aspx?psn=26197

Open-captioned performances: 8/9 at 8:00 p.m., 8/11 at 2:00 p.m. & 8/15 at 7:30 p.m.
Audio-described performance: 8/11 at 2:00 p.m.

ARENA STAGE CAFÉ: Prix fixe meals are available at Richard’s Place, Arena Stage’s casual dining café, and include a choice of soup or salad, main entrée and dessert. Pre-ordered meals are only $22 ($25 if purchased that day). To pre-order and see the menu, call 202-488-3300 or visit arenastage.org/plan-your-visit/the-cafe/. The café opens two hours before the show, and reservations are recommended. To pre-order drinks for up to 50% savings ($6 house wine and beer), visit tickets.arenastage.org/cart/precart.aspx?p=1007.

METRO: Arena Stage at the Mead Center for American Theater is only one block from the Waterfront-SEU Metro station (Green Line). When exiting the station, walk west on M Street toward Sixth Street, and the main entrance to the Mead Center is on the right.

PARKING: Parking is available in Arena Stage’s on-site garage. Subscribers may purchase parking in advance for $16. Single ticket buyers may purchase parking in advance for $19 or on the day of the performance for $22 on a first-come, first-served basis. Limited handicapped parking is available by reservation. Advanced parking must be reserved by calling 202-488-3300. The entrance to the Mead Center garage is on Maine Avenue between Sixth and Seventh streets, and the garage closes one hour after the day’s last performance ends. Patrons can also park at the Public Parking Garage at 1101 Fourth Street, one block from the Mead Center, for $14.

VALET PARKING: Arena Stage offers valet service at no additional cost to patrons with accessibility needs who call 202-488-3300 in advance to request valet parking. On days when valet parking is being used for accessibility, it is also available to general patrons one hour prior to show time for $25, based on availability. To use valet parking, pull up to the main entrance on Sixth Street.

For complete 2018/19 season details, visit: arenastage.org/shows-tickets/the-season/index-18-19.shtml.

Warner Bros. Theatre Ventures (WBThV) develops and produces first-class musicals and stage productions from the company’s expansive catalogue. The division is currently readying A Star is Born (Director: Bill Condon), Beetlejuice (Director: Alex Timbers), Dave (Score: Tom Kitt & Nell Benjamin) and Dog Day Afternoon (Playwright: Stephen Adly Guirgis) for the stage. WBThV was previously represented on the West End and Broadway by the Olivier Award-winning musical Charlie and the Chocolate Factory and on Broadway by the holiday hit Elf and Tony Award Best Play winner The Curious Incident of the Dog in the Night-Time. WBThV also licenses third-party stage rights including such productions as The Bodyguard, Singin’ in the Rain, Hairspray, The Wizard of Oz, The Color Purple and 42nd Street.

The Donners’ Company is owned and run by Lauren Shuler Donner and Richard Donner. Lauren is a film producer with such credits as Mr. Mom, Ladyhawke, St. Elmo’s Fire, Pretty in Pink, Dave, Free Willy 1-3, You’ve Got Mail, Hotel For Dogs, The Secret Life of Bees and all ten Xmen movies. Currently she is executive producing two TV series – Legion for FX and The Gifted for Fox TV; Broadway musicals based on her films Dave and Secret Life of Bees, as well as a new immersive theater experience based on Goonies, one of Richard Donner’s most beloved films. She has served on the Executive Board of the Producers Branch of the Academy of Motion Pictures and the Board of LupusLA for the past ten years.

Larger Than Life Productions. Allison Thomas is a theater and film producer. As a partner in Larger Than Life Productions, Allison produced The Tale of Despereaux, executive-produced Oscar-nominated Seabiscuit and co-produced Pleasantville. In theater, Allison was a producer of the Tony-nominated musical Beautiful; ANN, based on the life of Ann Richards; and The Last Goodbye (regional). She is currently developing a children’s musical based on The Tale of Despereaux, among other film and television projects. Prior to producing, Allison was active in government, working as a Staff Assistant for Public Outreach in the Carter White House and heading technology initiatives for Governor Jerry Brown during his first term. She also headed public relations for Steve Jobs’ NeXT Computer and Pixar, among other technology startups in the ‘80s and ‘90s.

Arena Stage at the Mead Center for American Theater, under the leadership of Artistic Director Molly Smith and Executive Producer Edgar Dobie, is a national center dedicated to American voices and artists. Arena Stage produces plays of all that is passionate, profound, deep and dangerous in the American spirit, and presents diverse and ground-breaking work from some of the best artists around the country. Arena Stage is committed to commissioning and developing new plays through the American Voices New Play Institute. Arena Stage impacts the lives of over 10,000 students annually through its work in community engagement. Now in its seventh decade, Arena Stage serves a diverse annual audience of more than 300,000. arenastage.org.

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